The Sussudio Effect: Why We Secretly Love the Mysteries of Life

Whether we will admit it or not, we like unexplained mysteries.

Do we really need an answer for everything?  Isn’t omniscience (the ability to know everything infinitely) a trait we reserve for God?  Could we handle the responsibility of having all the answers?  We like to think we want all the answers, but if we did, that would be a life without surprise, suspense, and ultimately, much excitement.

Much of the mystique we deal with revolves around our origin, purpose, and ending.  But even without all the big idea concepts like “why am I here?” and “what exactly happens the moment I die?,” both of which the element of ignorance is attached to, life is still full plenty of petty mysteries to think about.  Which at best, simply reflect the fact that mystery is a part of life.

Like the song “Sussidio” by Phil Collins.  It became a number one hit in July of 1985.  And though I wasn’t quite in pre-school yet at that point, the song has definitely kept a solid spot in the Soundtrack of My Life.  I can’t say that I like the saxophone-enhanced song just because of its feel-good vibes and groovy melody.  A big part of why I like the song is because of its quirkiness.  Because let’s face it, no one really knows what a “sussudio” is.

In recent years, thanks to Phil Collins’ interviews that have surfaced and have been referenced in Wikipedia, I have learned that Phil always did a lot of ad-lib and improvising in the studio.  He often would record the music to the song before he wrote the words, just making up random words and phrases to hold the place; then coming back later to replace the gibberish with actual lyrics.

“Sussudio” was a place-holding made-up word that he never came up with a replacement for.  And so it remained.  The word still doesn’t mean anything.  It’s not the name of a girl, as some have assumed.  It’s just a mysterious word.  You get to decide what it means.  Weird concept, but after all, the song did make it to the number one spot.

Why?  It’s a great catchy song.  And it’s mysterious.

I will deliberately bypass the way-too-obvious fact that LOST’s popularity is associated with its strategic and clever uses of mystique (LOST- Answering Questions that Were Left Unanswered) and instead close with the fact that we can spend a lifetime just unveiling the mysteries of the people closest to us in our lives.

It’s not like we sit down with our parents or spouses or best friends and interview them with a #2 pencil and steno pad about their childhood and see what we can learn about them that we didn’t know before.  Instead, we just wait for those random trigger words to show up in conversation, which prompt a story that we’ve never heard before about them before.

Sometimes when my wife and I are out at a restaurant, we (being “people watchers”) will notice an older couple sitting in silence, only really speaking to say predictable things like “How’s your steak?”  We want to be cooler than that when we’re older; we want to have cool stuff to talk about, even now.

There are so many hidden stories in each of us.  We can only try, in a lifetime, to extract them from each other.  Not that they all can be told even in one lifetime, we ourselves can’t remember them all.  Because unlike God, we mysteriously ended up without an omniscient memory.

People Watching in Nashville Traffic

Practice makes perfect.

I am absolutely a “people watcher”, always ready to spot slightly strange behavior from the strangers around me.  Pay dirt.  Yesterday as I was driving home from work, I couldn’t help but notice (whether I was “people watching” or not) that during the red light, the man in the car in front of me pulled out a trumpet and played it until the light turned green again.

This happened for the remaining five or six traffic lights we shared until I turned the other way to get to my house.  Each time the light turned right, he immediately pulled out his horn.  It didn’t take long for others to notice what he was doing.  Laughing to themselves as they witnessed the random happening.

Was he just trying to squeeze in some extra practice time for an upcoming gig?  Or a recital?  The man was at least 30 years old.

Or maybe he just really has a passion for music?  After all, this is Music City.

For another humorous  social observation in Nashville, read Operation: Mustache (A Social Experiment).

The Euphoric Therapy of iTunes: Listening to Music is Like Traveling Back in Time

The only thing I really buy for myself that is not a basic need, is music.  My CD collection now contains well over 700 albums, not including the several hundreds of songs I’ve “traded” with friends via laptop swap or the “borrowing and burning” of each other’s CD collections.   The one material thing that I actually spend money on (though I often buy at a much discounted price at Unclaimed Baggage) is music.

My stereo speakers are never silent as long as I’m the only one in the car.  There are times when I actually get tired of my own massive music library, but even then, I turn the radio to a classic rock station (“I want to know what love is, I need you to show me…”) or an alternative station where I get introduced to current bands like The Avett Brothers (“In January, we’re getting married…”).

Music is therapy.  It’s invisible.  But music has a way of ministering to the soul and to the emotions.  It enhances the mood and the moment.  Music makes sad times sadder and good times greater.  And when I don’t know how I feel, I listen to the abstract vagueness of ‘90’s alternative bands like Stone Temple Pilots, Live, and Foo Fighters.

Music is euphoric. It’s not tangible.  But music has a way of lifting a person’s spirits or helping them to connect and relate to the pain they are feeling at the moment.

Music is a drug. Teenagers use it to “express themselves” (or the idea of who they think they want to be) and to get in touch with their out of control emotions.  Adults use it to relax, to escape, to take a trip to an easier time in their lives.  And yes, music is an addictive drug.

I can not hear Journey’s “Don’t Stop Believing” and not be affected.  Or Phil Collins’ “In the Air Tonight”.  Or my newest obsession, the Scottish one-hit wonder from 1983, “In a Big Country” by Big Country, with its piercing lead guitar riffs reminiscent of a bagpipe:  “In a big country dreams stay with you like a lover’s voice…”

Music is engrained into our pop culture.  It freezes a year, a moment, a memory forever.  Listening to a song can be like time travel.  It stays with us.

And it’s amazing to me how music can make nonsense words and phrases acceptable by the mainstream.  Because seriously, everybody should wang chang tonight.

I can’t imagine a world where the words “I wish I was a little bit taller, I wish I was a baller” meant nothing to me.

What Movie Rating Does Real Life Get? (G, PG, PG-13, R, or NC-17)

If your life was a movie, what would it be rated?

I recently watched a documentary questioning the secrecy and allusiveness of the MPAA movie rating system, called “This Film is Not Yet Rated”. While I’m not opposed to the American movie rating system because I see it as a decent way for parents to decide which movies are more suitable for their children, I also admit there is some humor in the way that movies are arbitrarily given ratings.

In general, more than one f-word grants an “R” rating. “Artistic or comic nudity” can land with “PG-13” or even “PG”, but if the nudity involves romantic or sexual content, then the movie will be an “R”. A panel of judges make a living off of making that call.

By now it’s pretty obvious that most studios want the majority of their films to be rated “PG-13” because more people will be able to see it. “PG” is for young kids and “R” weeds out the kids who are not smart enough to pay for one movie but walk into another.

The thing that most stood out to me from watching the documentary was this:

Compared to Europe, America has it backwards when it comes to sexuality and violence in movies. In Europe, sex scenes are portrayed in a more matter-of-fact/this-just-part-of-life manner. An absence of chiseled abs, large breasts, and steamy music. Not glamorized.

But when it comes to violence, Europe leaves a lot more to the imagination. They’re more offended by violence and less worried about sexual content.

In America, our movies are infiltrated by sex any time there’s a slight opportunity for it. But it’s so fake. Women have the sex drives of men. The atmosphere is perfect. The lighting is just right. And of course both participants have perfect bodies that could be (and often have been) featured partially nude on a health magazine cover. For me it’s just not believable.

Yet despite our obsession, compared to Europe, we’re much more offended by sex in movies. Culturally, America is a Christian nation. So we’re much more likely to be bothered or affected by heavy sexual content in a movie.

So we shy away from sex in movies, but indulge in violence. And not just grotesque stuff like the Saw movies.

We love war movies. We just do. Because there’s nothing more American than seeing the good guys kill the bad guys.

Like any James Bond movie for example. Loaded with countless murders by gunshots. Yet a lack of blood. Therefore, James Bond movies aren’t rated “R”, but “PG-13” instead.

The theory is that violent movies have this undertone that speak to teenage boys and young men: “Just imagine, if you fought in the U.S. military, you could be the one with the gun. Protecting our country. Killing and defeating the enemy.”

The regular presence of violence in American entertainment desensitizes us to it. The more we see it, the more we’re used to it. And it’s not really a moral issue to us.
While we may not be willing to be part of the firing squad that executes an American criminal convicted of murder and rape, our conscious doesn’t bother us as much about killing the enemy in a war who happened to be born in the wrong country with a dictator who is forcing him to fight against us. Yet he may have never killed or raped anyone. Until now, he could be just a another normal family man. But if he doesn’t fight for his corrupt political leader, his life will end anyway.

Both the sex and the violence are fake. We know this. But our conscience doesn’t really bother us about watching Saving Private Ryan or Band of Brothers (which neither really contain any sexual content).

I’ve noticed that Baptist preachers can mention Saving Private Ryan during a sermon to drive home a point and no one in the congregation thinks twice. We’ll overlook the vulgar language and bloody deaths in the name of war. Yes, it’s violent. But it’s war.

The point: Even Baptist preachers don’t mind violence, as long as it’s associated with war. I know this because I’ve been in the congregation enough to hear it. But if a movie was rated “R” for any other reason than war violence, it would be taboo for the preacher to admit he even saw the movie.

I get it. It makes sense.

America excuses violence. But has a tough time with the other stuff.

Now that I’ve established that America is okay with violence, I will quote Michael Tucker. He is the producer of the 2004 war documentary film, Gunner Palace, which shows the everyday lives of soldiers fighting in Iraq. This film is unique in that it received a “PG-13” rating, despite it’s 42 uses of the f-word and brutal violence and imagery. Tucker had to appeal the MPAA because of course they originally rated his film “R”:

“When a little girl was running down the road in South Vietnam, burnt by Napalm and she’s naked, is that PG? Is it PG-13? Is it R? You can’t rate reality.”

Great quote. I’ve seen the exact photograph he’s referring to. It’s awful. And I’ve seen even more hellish pictures from The Rape of Nanking during World War II, when Japan occupied China, raping all females and killing all men they could find in that city.

That can’t be rated. It’s so worse than “R”. Worse than NC-17. Yet those photographs can easily be found in Wikipedia or in any History section in a Borders or Barnes and Noble. It’s not fiction. It’s not art. It’s reality.

Michael Tucker is right: You can’t rate reality.

In the back of my mind I’ve always wondered what my life would be rated if it were a movie. The question is, how would my life not be rated “R”? Just considering an average workday. Even on a tame day, I know the language I hear around me would be rated “R”. As it definitely was in high school.

I guess I’ve always thought it’s ironic to hear a handful of f-words in a movie and know the movie is rated “R” because of the language itself. Hearing that language has become normal to me. Which of course defeats the whole idea of certain words being vulgar. When they’re common, they can’t truly be as vulgar as we let ourselves believe.

One of my biggest reasons not to use profanity is for that very reason. It just seems cliche to me. I can’t bring myself to do it.

Yet watching a movie than contains a few f-words is at least a little bit offensive and shocking. Why? Because it’s not in real life? Isn’t there a double standard somewhere in there?

Why, in real life, is it not a big deal to us?

Because it’s not real. Watching it happen to someone else in a movie makes it worse. It’s magnified. We pay closer attention. We’ll except it in real life, though.

It’s a funny thought.  To give a movie rating to real life.  Especially your own.

Related post by the same author:

Mixed Reviews  http://wp.me/pxqBU-2y

The Ball  http://wp.me/pxqBU-fv

And one more thing… Now that you’ve read my take on this, why not read my perspective on being a dad?  That’s right- parenting from a dad’s point of view.  I have been documenting my thoughts as a dad since the week we found out my wife was pregnant.  I formally invite you now to read my “dad blog” by clicking on the link below:

dad from day one