A Storytelling of Snake Charmers (or Escapists)

Sometimes there’s no way to get around or over a problem; the only way to get past it is to just go through it.

This past Saturday my friend Tommy and I embarked on our second annual canoe trip on The Harpeth River in Nashville.  The same river that just a month ago flooded much of the western part of the city.  I would love to paint myself as this avid outdoorsman, compensating for the fact (as I’ve established before) that I’m no athlete.  But really, it’s just that I can’t turn down an activity with a friend that allows me to spend several hours breathing fresh air, getting sunburned (just my knees, very badly), and getting to see wildlife.

Especially one that I deem as a lazy adventure (Manspeak, Volume 8: Relaxation).  With the water being as high as it was, very little power was needed on our part to get the canoe moving.  Just basic steering away from rocks and into the best currents.  Like most male oriented social activities, canoeing  kept us from awkwardly facing each other the whole time (Manspeak, Volume 4: Stance).  And gave us something to do when there was nothing to say (which never really happened, because of our mutual love for Super Mario Bros. 2, McGee and Me, and fatherhood).

Two hours into our journey, after relatively no stress whatsoever, I had to do it.  I had to, in typical 1980’s sitcom fashion, speak a line of ironic foreshadowing: “This has been a really laid back trip.  No problems at all.”

Instantly, we look up and ahead.  Two trees had fallen from the flood; one from both sides of the river, blocking the entire length of passage, doubly.  But even in that moment, we didn’t realize that this puzzle ahead was more complicated than just getting past two fallen trees.

We decided the right side of the river promised the easiest and quickest clearance.  I had learned from our last trip that where there was thick, abundant, yellowish foam, it meant there was a decaying animal trapped alongside the river.  As we got closer to the foam, both of us smelled the corpse before we saw it.  A large dead fish, head and tail missing.  Still the size of the pillow you sleep on every night.  Meaning that passing through would ineviditably mean we would have to step in the water to lift the canoe over the fallen tree, we opted to check out the left side of the river blockage as to not get funky fish foam on our sunburning legs.

We steered to the canoe to the other side, seeing right way that the depth of blockage was even greater.  In our strategy forming minds, we both came up with our own idea of how to get through.  Tommy wanted us to stick to our original plan; to step in the water and lift the canoe over our heads and over the trees, then place it back in the water and hop back in the canoe.

I, however, saw a different means of escape.  Shaking the tree and its submerged limbs further in and out of the water, I came to the conclusion that if I crouched down low in the boat, Tommy could stand on the tree, pushing the canoe through the limbs as I helped keep them pushed down to make way for our path.

Tommy is an easy-going guy.  Or maybe it was my natural older brother demeanor, but I convinced him to do it my way.

And right as he said, “alright, let’s do this”, I replied with “Oh, there’s a snake right there!”

I picked my oar up, placing it on my shoulder like a rifle.  “Look five feet away from the end of my oar.  There’s a black snake wrapped around that branch.  He blends in almost perfectly.  His head is up, and he’s looking at us right now.”

It’s not that he didn’t believe me, it’s just that my head was in the way for a few minutes before he could finally see the thing.  And when he did, he jumped in to “crisis mode” with me.

Of course, a man in Crisis Mode is not a man who gets nervous or noticeably excited.  He is a man who speaks lower and slower as he attempts to play the situation in slo-mo, in order to figure out the best practical solution for the potentially dangerous and deadly problem.

After another five minutes (which seemed like 20) of deliberation, after realizing our wishes of killing the snake with a flame thrower were not part of reality (thanks a lot Contra), that we had to meet this problem head on, we went in to Action Mode, while of course, simultaneously remaining in Crisis Mode.

Keeping our eyes constantly scanning the weather, the bank (filled with a good amount of visible snake holes), and the canopy of tree branches over us for more snakes, we carefully lifted the canoe out of the water and over the fallen tree, sliding in the mud (he was wearing flip flops, I was wearing my ten-year old New Balance cross country running shoes), only to realize that once we set the canoe back into the water, another 12 feet ahead was another (this being the third) fallen tree blocking the entire width of the river.

The snake, now behind us, had slithered off of his resting (preying) place on the branch.  Was he in the water now?  Were his friends waiting up ahead of us?  We tried not to think about it.

We hoisted the canoe over the final tree.  The only way into our vehicular escape module was to hop down a few feet from the tree we were standing on at that point, which meant possibly tipping the boat over.  Thank God, we both landed it and got out of there as fast as we could.

The final hour of the trip involved a lot of head turning at every threat of another lethal animal.  We did end up seeing a doe that froze once it saw us.  I was convinced I would see a great beast out there, like a mountain lion or a blank panther.  Never happened though.

The thing is, I’m typically the last person to ever spot any kind of creature in wildlife.  And despite me being so close to the snake, I’m still amazed I spotted it.  We talked about the possible ending this story would have had if I wouldn’t have miraculously seen the snake.  I would have remained in the canoe as Tommy pushed us through, the snake would have been inches away from my nose- either biting my face and falling into the canoe with us.

When I bought my mountain bike back in April, the girl who sold it to me told me that when her brother was working at Bonnaroo last year, he got bit by a water moccasin.  He had to be airlifted to the hospital and given a $40,000 antidote.  Now he was to pay off that debt on a $30,000 a year salary.

But in that moment encountering the snake on the river, what else could we do?  We couldn’t go over or around the problem, we just had to man up and go through the problem.

Myself and Tommy back in 2008

Do Aliens Really Exist?

Or more importantly, could they even get here?  And could they survive our living conditions?

Being a kid in northern Alabama in the late 1980’s and early 90’s, I was convinced that at any moment aliens could be on the verge of flying over me as I rode my bike, especially as I was heading back to the house as the sun was beginning to set on a crisp, eerie October evening.

There was a hysteria/fascination with UFO sightings where I grew up, as more and more families were able to afford camcorders. In the back of many peoples’ minds was the hope of filming one of these banana-shaped alien spacecrafts made famous on the local news, courtesy of some good ole boys in a town called Fyffe, who kept submitting their shaky footage of either a light pole or a plane at night.

Evidently I seem like the kind of guy that would be knowledgeable on the subject- in the last year especially I have been randomly asked by so many people the dreamy question: “Do you think aliens exist?” Good question. I have a good answer.

I truly want to believe in aliens, but there are two major issues with humans ever making contact with them. The first is how they would get here. Planet Earth is light years away from any other solar system. (A light year is the distance light travels in a year. For an idea of how far that is, light can travel around the Earth 7 times in one second.) If aliens were able to create a device that enabled them to travel to all the way to Earth, it would have to work similar to a teleportation device. Because that’s the only way to feasibly move a living creature that far in so little time.

And even if aliens invented a teleportation device to get to other universes, the chances of them finding our planet are literally astronomical. The universe has no end. So if there really is life outside of our planet (other than spiritual) then we surely can’t assume it’s just us and them. Surely there would be thousands, if not millions, of other planets with intelligent life forms. Chances are, they would discover countless other universes before they ever found us.

The other problem is that they most likely couldn’t breathe our air or survive in our climate. For example, human life can not survive on any of the other planets in our solar system. We would either freeze or burn within the first day of being there. Plus there wouldn’t be enough, if any, oxygen to breathe. The aliens would have to be coming from a planet that was almost identical to Earth in terms of its life sustaining qualities.

Do aliens exist? If they did, they couldn’t get here. And if they could, why would they choose Earth out of all the universes? And if they did choose Earth, they would die within the first day from our natural environment. I have always held this hidden hope that ET really would come back to Earth. I’ve been waiting since 1982.

Sometimes life is disappointing. This is one of those times. The chances of humans ever meeting aliens on Earth are… (unavoidable pun) …out of this world.

“Hey Mr. Spaceman, won’t you please take me along for a ride?” -The Byrds (“Mr. Spaceman”)

Super Mario Bros. from a Logical Perspective, Finally

There are moments in the pop culture highlights of our lives where we are so consumed by awesomeness and groundbreaking concepts that we never even think, “Man, that’s pretty weird now that I think about it…”

It’s been a long time coming, but after 25 years since its introduction to America, (1983 in Japan, 1985 in the US) I need to set aside some time to question the life-changing vice called Super Mario Bros. The first issue that I’ve been thinking about is Mario’s ability to jump.

Have you have really thought about how high he can jump? I would say he probably jumps the distance of about six of himself high. Mario looks like he’s about 5’ 8 (I would say Luigi is more like 6’ 1). Since I’m bad at math I’ll just do some rounding.

Mario can jump about 36 feet high. He can be standing still and just jump 3 stories high. And he never hurts his ankles or knees.

That is not normal!

And in case you haven’t noticed, every game is this way in the world of video games (unless the character doesn’t jump at all like in the original Legend of Zelda).

What does Mario do with all those coins? They are about the same size as him. Imagine seeing a coin the same size as you and putting it in your pocket. Then collecting 50 more of them within the next 20 seconds. That’s gottta be heavy!

And what’s so bad about touching an enemy? If you touch a wild creature in the woods, let’s say a mountain lion for example, do you instantly die? No, the mountain lion would have to at least bite you or something. But in Mario’s world, you die if you touch any other living creature. Unless it’s a mushroom or fire flower. And in that case, what is he doing with them? Eating them? Again, how do you eat a five foot tall mushroom instantly?

And what’s up with all the holes in the road? What’s at the bottom of those holes? I mean, I would think that at least some of the time when Mario falls down a hole, he could grab on to a branch or something and not lose his life. But there really shouldn’t be that many holes in the first place.

Lastly, why can Mario hit his head on all those bricks and never get a concussion?  Or if he’s using his first to break the bricks, why is Mario’s fist not a bloody pulp pretty much immediately?

Nevermind the fact the bricks are floating in the air. I’m willing to get past that. Mario isn’t even wearing a helmet when he busts the bricks with his head or gloves on his hands if he’s punching them!

We have overlooked so much ridiculousness because this game forever changed our lives for the better and for the weirder.  Without this American staple of growing up in the 1980’s, I imagine a world where people in their late 20’s and early 30’s would be more boring and less weird.

People Watching 101: Wedding Rings, Shoes, and Accessories

It’s not something a person really learns to do- it’s more of an instinct.  Whether it’s the majority or minority of people in this world who are “people watchers”, all I know is that I am one of them.  And I’m proud to be.

Why?  Because like a housecat, I find creative ways to entertain myself with the most ordinary things in life.  I can’t stand to be bored.  So when I’m in a situation where there’s nothing to do, I think.  And if I’m in a room full of strangers, I “people watch”.

That means as I pretend not to directly look at them, I try to figure out their story.  Because I’ve got clues and hints to go on:

1)     Wedding ring.  Is this guy sitting 8 feet across me a married man?  Does he go home everyday to a wife, just like I do?  If not, why not?  Is he too young, not ready?  Wants to be but just hasn’t met the right girl yet?  If  he is old enough to be a grandfather but doesn’t wear a wedding ring, is he widowed?  That’s sad.

2)     Shoes.  Leather loafers with tassels means the guy is a banker or investor.  Polished black leather shoes means he’s a lawyer.  Cowboy boots means he’s a songwriter.  Chuck Taylors means he’s artistic in some way.

3)     Accessories.  Book?  What is it?  Cell phone?  What is he doing with it?  Is he talking on it?  Am I having to listen to his conversation?  Is his phone attached to his belt?  Is it on the table?  Is he writing in a journal?  Listening to an i-pod?  What music he listening to?  Journey?  Chicago? Is that a Rubik’s Cube I see there?

I could go through the entire endless list: hairstyle, voice, attitude, clothing, accent, etc.  But really those first three paint enough of the picture to imagine a good story to entertain myself for a few minutes.  Then it’s time to move on to the next character.

And of course, I carry around my camera with me.  Because I never when I have stumbled into my next website post: People Watching in Nashville Traffic

The Art of Storytelling: How to Be a Good Storyteller- Start in the Action or Plot, Note the Irony and Comedy, Then Do a Quick Recap

I’m not good at it.  I just follow a formula I made up.

Last month my Italian second cousin Phyllis from Kenosha, Wisconsin left me a comment on my post People Watching in Nashville Traffic, saying, “I love your stories!”  Until then, it had never crossed my mind that I even told stories.  I’ve always seen myself as a younger Grandfather Time- the voice of a man who keeps one foot in the past and one in the present, in order to keep a nostalgic feel on everything “new” idea I write.  Just an involved narrator.

I’ve always thought of myself as a commentator on life.  A writer of nonfiction.  There’s no hesitation in me admitting I’m no good at making up stories- fiction is something I am only a spectator of, not a creator.  What I can do is embellish the story that is already there.

By connecting the facts to old school pop culture references with a subtle smart Alec touch.  Finding ways to make the ordinary occurrences of life seem more interesting than they are.  My favorite author, Michael Chabon, refers to it in his book Maps and Legends, as “the artist’s urge to discover a pattern in, or derive a meaning from, the random facts of the world”.

And that’s basically what I’m doing.  And I get so much out of it.  It makes me feel like, in a sense, I’m about to prove the world’s wisest man ever, King Solomon, wrong, when he said there’s nothing new under the sun.  (Though he’s still obviously right.)

Because everyday life events actually are more interesting than they seem.  They may just need to be seen from a reversed diagonal angle.

So now I’m embracing the fact that intermittent in all my quirky observations are actually little stories.  The tag “storyteller” became even more real to me yesterday as I was conspiring with my sister to write Which Role Do You Play in Your Family? When I asked her what my roles are, the word “storyteller” came up write away.

There are certain things about yourself you can only learn from other people.

Maybe my surprise in all this is the connotation that the word “storyteller” conjures up in my head.  Some eccentric, animated man looking like Frank Lapidus from LOST (for some unknown reason) telling a corny ghost story to a bunch of kids gathered around a campfire who all gasp at the end of the tale when he says, “And the ghost of Tom Joad still haunts this campground today in the form of the wolf that killed him…”  And of course, right as he finishes that sentence, the storyteller’s buddy, who has been hanging out in the woods waiting for his cue, howls at the top of his lungs, for dramatic effect.

But now I get it.  Storytellers can also recite true stories.  Nonfiction.  That is my specialty.  And now that I better understand who I am as a writer and communicator, I am starting to realize my frustration when people don’t tell stories the way I like to tell them (and hear them).

Like the guy at work who drags out the end of the story until the last sentence.  And I think to myself, “You can’t do that!” Because I get annoyed waiting to find out the point of the story and I stop listening and start thinking about something else, and whatever I start thinking about instead ends up becoming a new post on this site a few days later.

Or the friend of a friend who uses the punch line or climax of the story as the opening line.  Again, “You can’t do that!”  Because then I feel like there’s really no point in sitting around to hear all the details.

What that tells me about my own form of storytelling is that I have a formula for it:

1)     Start the story in the first moment of action and/or the plotline.

2)     Get to the resolution of the story by the second paragraph, approximately 1/3rd or halfway through the length of the post (or if the story is being told orally, 1/3rd or halfway through the time set aside to tell the story).

3)     Spend the rest of the time or page space picking out the irony and humor of the story’s events.  By not ending the story when the story actually ends, but instead, ending on an provoking or comedic recap note, it opens up the door for the listeners to share in the story- because the story is resolved, yet left open-ended.  (Like the finale of LOST.)

And one more thing… Now that you’ve read my take on storytelling, why not read my perspective on being a dad?  That’s right- parenting from a dad’s point of view.  I have been documenting my thoughts as a dad since the week we found out my wife was pregnant.  I formally invite you now to read my “dad blog” by clicking on the link below:

dad from day one