Month: June 2010

Leave a comment Posted on Nostalgia, Recaps, Uncategorized

Super Mario Bros. from a Logical Perspective, Finally

There are moments in the pop culture highlights of our lives where we are so consumed by awesomeness and groundbreaking concepts that we never even think, “Man, that’s pretty weird now that I think about it…”

It’s been a long time coming, but after 25 years since its introduction to America, (1983 in Japan, 1985 in the US) I need to set aside some time to question the life-changing vice called Super Mario Bros. The first issue that I’ve been thinking about is Mario’s ability to jump.

Have you have really thought about how high he can jump? I would say he probably jumps the distance of about six of himself high. Mario looks like he’s about 5’ 8 (I would say Luigi is more like 6’ 1). Since I’m bad at math I’ll just do some rounding.

Mario can jump about 36 feet high. He can be standing still and just jump 3 stories high. And he never hurts his ankles or knees.

That is not normal!

And in case you haven’t noticed, every game is this way in the world of video games (unless the character doesn’t jump at all like in the original Legend of Zelda).

What does Mario do with all those coins? They are about the same size as him. Imagine seeing a coin the same size as you and putting it in your pocket. Then collecting 50 more of them within the next 20 seconds. That’s gottta be heavy!

And what’s so bad about touching an enemy? If you touch a wild creature in the woods, let’s say a mountain lion for example, do you instantly die? No, the mountain lion would have to at least bite you or something. But in Mario’s world, you die if you touch any other living creature. Unless it’s a mushroom or fire flower. And in that case, what is he doing with them? Eating them? Again, how do you eat a five foot tall mushroom instantly?

And what’s up with all the holes in the road? What’s at the bottom of those holes? I mean, I would think that at least some of the time when Mario falls down a hole, he could grab on to a branch or something and not lose his life. But there really shouldn’t be that many holes in the first place.

Lastly, why can Mario hit his head on all those bricks and never get a concussion?  Or if he’s using his first to break the bricks, why is Mario’s fist not a bloody pulp pretty much immediately?

Nevermind the fact the bricks are floating in the air. I’m willing to get past that. Mario isn’t even wearing a helmet when he busts the bricks with his head or gloves on his hands if he’s punching them!

We have overlooked so much ridiculousness because this game forever changed our lives for the better and for the weirder.  Without this American staple of growing up in the 1980’s, I imagine a world where people in their late 20’s and early 30’s would be more boring and less weird.

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People Watching 101: Wedding Rings, Shoes, and Accessories

It’s not something a person really learns to do- it’s more of an instinct.  Whether it’s the majority or minority of people in this world who are “people watchers”, all I know is that I am one of them.  And I’m proud to be.

Why?  Because like a housecat, I find creative ways to entertain myself with the most ordinary things in life.  I can’t stand to be bored.  So when I’m in a situation where there’s nothing to do, I think.  And if I’m in a room full of strangers, I “people watch”.

That means as I pretend not to directly look at them, I try to figure out their story.  Because I’ve got clues and hints to go on:

1)     Wedding ring.  Is this guy sitting 8 feet across me a married man?  Does he go home everyday to a wife, just like I do?  If not, why not?  Is he too young, not ready?  Wants to be but just hasn’t met the right girl yet?  If  he is old enough to be a grandfather but doesn’t wear a wedding ring, is he widowed?  That’s sad.

2)     Shoes.  Leather loafers with tassels means the guy is a banker or investor.  Polished black leather shoes means he’s a lawyer.  Cowboy boots means he’s a songwriter.  Chuck Taylors means he’s artistic in some way.

3)     Accessories.  Book?  What is it?  Cell phone?  What is he doing with it?  Is he talking on it?  Am I having to listen to his conversation?  Is his phone attached to his belt?  Is it on the table?  Is he writing in a journal?  Listening to an i-pod?  What music he listening to?  Journey?  Chicago? Is that a Rubik’s Cube I see there?

I could go through the entire endless list: hairstyle, voice, attitude, clothing, accent, etc.  But really those first three paint enough of the picture to imagine a good story to entertain myself for a few minutes.  Then it’s time to move on to the next character.

And of course, I carry around my camera with me.  Because I never when I have stumbled into my next website post: People Watching in Nashville Traffic

3 Comments Posted on Storytelling, Uncategorized, Writing

The Art of Storytelling: How to Be a Good Storyteller- Start in the Action or Plot, Note the Irony and Comedy, Then Do a Quick Recap

I’m not good at it.  I just follow a formula I made up.

Last month my Italian second cousin Phyllis from Kenosha, Wisconsin left me a comment on my post People Watching in Nashville Traffic, saying, “I love your stories!”  Until then, it had never crossed my mind that I even told stories.  I’ve always seen myself as a younger Grandfather Time- the voice of a man who keeps one foot in the past and one in the present, in order to keep a nostalgic feel on everything “new” idea I write.  Just an involved narrator.

I’ve always thought of myself as a commentator on life.  A writer of nonfiction.  There’s no hesitation in me admitting I’m no good at making up stories- fiction is something I am only a spectator of, not a creator.  What I can do is embellish the story that is already there.

By connecting the facts to old school pop culture references with a subtle smart Alec touch.  Finding ways to make the ordinary occurrences of life seem more interesting than they are.  My favorite author, Michael Chabon, refers to it in his book Maps and Legends, as “the artist’s urge to discover a pattern in, or derive a meaning from, the random facts of the world”.

And that’s basically what I’m doing.  And I get so much out of it.  It makes me feel like, in a sense, I’m about to prove the world’s wisest man ever, King Solomon, wrong, when he said there’s nothing new under the sun.  (Though he’s still obviously right.)

Because everyday life events actually are more interesting than they seem.  They may just need to be seen from a reversed diagonal angle.

So now I’m embracing the fact that intermittent in all my quirky observations are actually little stories.  The tag “storyteller” became even more real to me yesterday as I was conspiring with my sister to write Which Role Do You Play in Your Family? When I asked her what my roles are, the word “storyteller” came up write away.

There are certain things about yourself you can only learn from other people.

Maybe my surprise in all this is the connotation that the word “storyteller” conjures up in my head.  Some eccentric, animated man looking like Frank Lapidus from LOST (for some unknown reason) telling a corny ghost story to a bunch of kids gathered around a campfire who all gasp at the end of the tale when he says, “And the ghost of Tom Joad still haunts this campground today in the form of the wolf that killed him…”  And of course, right as he finishes that sentence, the storyteller’s buddy, who has been hanging out in the woods waiting for his cue, howls at the top of his lungs, for dramatic effect.

But now I get it.  Storytellers can also recite true stories.  Nonfiction.  That is my specialty.  And now that I better understand who I am as a writer and communicator, I am starting to realize my frustration when people don’t tell stories the way I like to tell them (and hear them).

Like the guy at work who drags out the end of the story until the last sentence.  And I think to myself, “You can’t do that!” Because I get annoyed waiting to find out the point of the story and I stop listening and start thinking about something else, and whatever I start thinking about instead ends up becoming a new post on this site a few days later.

Or the friend of a friend who uses the punch line or climax of the story as the opening line.  Again, “You can’t do that!”  Because then I feel like there’s really no point in sitting around to hear all the details.

What that tells me about my own form of storytelling is that I have a formula for it:

1)     Start the story in the first moment of action and/or the plotline.

2)     Get to the resolution of the story by the second paragraph, approximately 1/3rd or halfway through the length of the post (or if the story is being told orally, 1/3rd or halfway through the time set aside to tell the story).

3)     Spend the rest of the time or page space picking out the irony and humor of the story’s events.  By not ending the story when the story actually ends, but instead, ending on an provoking or comedic recap note, it opens up the door for the listeners to share in the story- because the story is resolved, yet left open-ended.  (Like the finale of LOST.)

And one more thing… Now that you’ve read my take on storytelling, why not read my perspective on being a dad?  That’s right- parenting from a dad’s point of view.  I have been documenting my thoughts as a dad since the week we found out my wife was pregnant.  I formally invite you now to read my “dad blog” by clicking on the link below:

dad from day one

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Lowercase Punishment

“Cruel and unusual punishment” is a relative term.

Today as I was driving back to work from my lunch break waiting at a red light at a major intersection consisting of 3-lane roads, there was this guy in a big pick-up truck who basically ran a red light in the midst of a lot of traffic. And I thought, “If only a cop was here to catch him…”.

Then I thought, “What if I had the power to obtain and punish him myself?…” The way I would want to punish him is by annoying him, for his crime of causing a potential wreck that could have affected a lot of people.

What if I could punish him without taking anything away from him? What if I could simply freeze his mind for one nanosecond in real-time, but in his mind, it would be for any amount of time I choose? Like I could freeze him for 20 hours in his mind, and everything he saw in that nanosecond would not move at all, like an annoying skip on a DVD? It would not affect his body or future at all. He would not miss anything.

Think of it this way: Sometimes you’ll wake up from a dream and it feels like you were dreaming for hours, even all night- but in reality, most dreams only last less than a minute. What seemed like hours was only seconds.

Now imagine having the power over someone to control their unconscious state for only a second, but during that fraction of a second, it would feel like however many hours, days, or years as you wanted. But the person’s eyes would be open so they had to look at the same thing during what felt like a long time.

The criminal would not age any faster than the rest of us. But if someone did something very bad, you could freeze their mind for a nanosecond in real time but 30 years in “dream time”. It would kinda be like purgatory, except the criminal couldn’t move around and nothing in sight would move neither. It would bore them out of their mind.  But we couldn’t let this power get into the wrong hands. Good thing I’m not a mad scientist.

For a similar post by the same author, read Capital Punishment, In Theory.

“Help us someone, let us out of here. Living here so long undisturbed, dreaming of the time we were free. So many years ago before for the time when we first heard ‘welcome to the Home by the Sea’. Sit down, sit down as we relive our lives in what we tell you.”
-Genesis/ “Home by the Sea” (1983)

“In the delusionary state, no wonder he’s been feeling strange of late. Nobody here to spoil the view, interfere with my plans…Steady, lads…and easy does it. Don’t frighten him! Here we go…”
-Paul McCartney/ “Mr. Bellamy” (2007)

“Such a mean old man…”
-The Beatles/ “Mean Mr. Mustard” (1969)

3 Comments Posted on People, Uncategorized

dad from day one: She’s Starting to Show

Seventeen weeks.

As I predicted earlier, the process of coming to terms with the fact that my wife and I will actually be bringing a baby into this world is one that is done in phases; yes, the inevitable comparison of peeling back the layers of an onion.  With each new proof of life inside of my wife’s womb, another new sense of realization happens, often accompanied with my own eyes “watering”.

(Conveniently for me and my onion reference, this week our baby is the size of an onion.)

It’s official- my wife is starting to show.  And she’s “carrying the baby high”, which often is a clue that it’s a girl.  We took a trip to target on Memorial Day in an attempt to find some “stretchy pants”.  While she didn’t find what she was looking for, I ended up walking out of there with a 3 disc set of Hall & Oates greatest hits for $15- so it all worked out.

The Bump says:

“Baby’s skeleton is hardening, changing from rubbery cartilage to bone, and fat is finally accumulating around it. The umbilical cord is getting thicker and stronger, and those little fingers and toes are now topped by one-of-a-kind prints.”

http://community.thebump.com/cs/ks/blogs/2ndtrimester/pages/week-17-onion.aspx?r=0

All pictures with the “JHP” logo were taken by Joe Hendricks Photography:

Blog- www.photojoeblog.com

Website- www.joehendricks.com