The Most Popular, All-American Summer Activities for Kids

Notice I left out the word “normal”.

Now that summer is here, I realize I keep having flashbacks of my summers as a kid. The ways we all spent our summers as kids were unique in their own weird ways. I don’t know what a normal summer for a kid is supposed to be like. All I know is the version of summer that my sister and I experienced between the summers of 1989 and 1999 to keep ourselves entertained in Fort Payne, Alabama.

In the summer of 1989 our mom was obsessed with making homemade popsicles. She bought blue and red plastic molds into which she poured a random substance and placed in the freezer. Four hours later when it was frozen, my sister and I indulged in the flavor of the day. It started out as an alternative to “all those sugary popsicles they sell in the stores”. So orange juice was the first flavor. Then chocolate milk. Then yogurt. By the end of summer it was Dr. Pepper and eventually my personal favorite flavor of homemade popsicles: sweet tea.

The next summer, in 1990, we discovered water balloons. My sister and I would fill up about 30 water balloons, place them in a bucket, and take them out to the trampoline. One person would jump as the other launched the balloons at them. One point for every hit. Then eventually flashbacks from all that fun with the homemade popsicles gave us a new idea. We put water balloons in the freezer.

Not to throw at each other, but to throw into the air and watch them fall onto the driveway. I think the point was to see how many times the balloon could hit the asphalt before the broken ice inside would cut through the balloon. At one point we ran out of balloons to play with so our mom let us use some medical gloves. We filled them up with water and stuck them in the freezer. The funny thing is, there’s still a frozen glove in our parents’ freezer as of today. One last survivor.

My favorite classic summertime activity would have to be the paper rafts. It all started one day in 1993 when I drew and colored a cartoon man about 4 inches tall. Then I was compelled to grab some scissors and cut him out like a paper doll. My sister liked mine and made one as well. Ultimately we had made our own action figures. So in order for them to live up to their name (“action” figures), we decided to make paper rafts for them. So we drew, colored, and cut out Tom Sawyer style rafts and taped our paper men onto them, folding the men’s backs so that they sit down comfortably on their vehicle.

Now all we needed was a good river for our men on rafts. No need to looking any further than the nearest bathroom. We dropped the men into the toilet and flushed them away on an adventure. I clearly remember my sister waving and telling her paper man goodbye. Then we did the whole event over again later that day, only with improved, more detailed paper men. And again and again.

In fact, I really, really want to make a paper raft right now.

The Sussudio Effect: Why We Secretly Love the Mysteries of Life

Whether we will admit it or not, we like unexplained mysteries.

Do we really need an answer for everything?  Isn’t omniscience (the ability to know everything infinitely) a trait we reserve for God?  Could we handle the responsibility of having all the answers?  We like to think we want all the answers, but if we did, that would be a life without surprise, suspense, and ultimately, much excitement.

Much of the mystique we deal with revolves around our origin, purpose, and ending.  But even without all the big idea concepts like “why am I here?” and “what exactly happens the moment I die?,” both of which the element of ignorance is attached to, life is still full plenty of petty mysteries to think about.  Which at best, simply reflect the fact that mystery is a part of life.

Like the song “Sussidio” by Phil Collins.  It became a number one hit in July of 1985.  And though I wasn’t quite in pre-school yet at that point, the song has definitely kept a solid spot in the Soundtrack of My Life.  I can’t say that I like the saxophone-enhanced song just because of its feel-good vibes and groovy melody.  A big part of why I like the song is because of its quirkiness.  Because let’s face it, no one really knows what a “sussudio” is.

In recent years, thanks to Phil Collins’ interviews that have surfaced and have been referenced in Wikipedia, I have learned that Phil always did a lot of ad-lib and improvising in the studio.  He often would record the music to the song before he wrote the words, just making up random words and phrases to hold the place; then coming back later to replace the gibberish with actual lyrics.

“Sussudio” was a place-holding made-up word that he never came up with a replacement for.  And so it remained.  The word still doesn’t mean anything.  It’s not the name of a girl, as some have assumed.  It’s just a mysterious word.  You get to decide what it means.  Weird concept, but after all, the song did make it to the number one spot.

Why?  It’s a great catchy song.  And it’s mysterious.

I will deliberately bypass the way-too-obvious fact that LOST’s popularity is associated with its strategic and clever uses of mystique (LOST- Answering Questions that Were Left Unanswered) and instead close with the fact that we can spend a lifetime just unveiling the mysteries of the people closest to us in our lives.

It’s not like we sit down with our parents or spouses or best friends and interview them with a #2 pencil and steno pad about their childhood and see what we can learn about them that we didn’t know before.  Instead, we just wait for those random trigger words to show up in conversation, which prompt a story that we’ve never heard before about them before.

Sometimes when my wife and I are out at a restaurant, we (being “people watchers”) will notice an older couple sitting in silence, only really speaking to say predictable things like “How’s your steak?”  We want to be cooler than that when we’re older; we want to have cool stuff to talk about, even now.

There are so many hidden stories in each of us.  We can only try, in a lifetime, to extract them from each other.  Not that they all can be told even in one lifetime, we ourselves can’t remember them all.  Because unlike God, we mysteriously ended up without an omniscient memory.

Super Mario Bros. from a Logical Perspective, Finally

There are moments in the pop culture highlights of our lives where we are so consumed by awesomeness and groundbreaking concepts that we never even think, “Man, that’s pretty weird now that I think about it…”

It’s been a long time coming, but after 25 years since its introduction to America, (1983 in Japan, 1985 in the US) I need to set aside some time to question the life-changing vice called Super Mario Bros. The first issue that I’ve been thinking about is Mario’s ability to jump.

Have you have really thought about how high he can jump? I would say he probably jumps the distance of about six of himself high. Mario looks like he’s about 5’ 8 (I would say Luigi is more like 6’ 1). Since I’m bad at math I’ll just do some rounding.

Mario can jump about 36 feet high. He can be standing still and just jump 3 stories high. And he never hurts his ankles or knees.

That is not normal!

And in case you haven’t noticed, every game is this way in the world of video games (unless the character doesn’t jump at all like in the original Legend of Zelda).

What does Mario do with all those coins? They are about the same size as him. Imagine seeing a coin the same size as you and putting it in your pocket. Then collecting 50 more of them within the next 20 seconds. That’s gottta be heavy!

And what’s so bad about touching an enemy? If you touch a wild creature in the woods, let’s say a mountain lion for example, do you instantly die? No, the mountain lion would have to at least bite you or something. But in Mario’s world, you die if you touch any other living creature. Unless it’s a mushroom or fire flower. And in that case, what is he doing with them? Eating them? Again, how do you eat a five foot tall mushroom instantly?

And what’s up with all the holes in the road? What’s at the bottom of those holes? I mean, I would think that at least some of the time when Mario falls down a hole, he could grab on to a branch or something and not lose his life. But there really shouldn’t be that many holes in the first place.

Lastly, why can Mario hit his head on all those bricks and never get a concussion?  Or if he’s using his first to break the bricks, why is Mario’s fist not a bloody pulp pretty much immediately?

Nevermind the fact the bricks are floating in the air. I’m willing to get past that. Mario isn’t even wearing a helmet when he busts the bricks with his head or gloves on his hands if he’s punching them!

We have overlooked so much ridiculousness because this game forever changed our lives for the better and for the weirder.  Without this American staple of growing up in the 1980’s, I imagine a world where people in their late 20’s and early 30’s would be more boring and less weird.

Being Down to Earth, Yet Never Really Touching the Ground: My First 10,000 Hits

Thanks for 10,000 hits.

I am not a writer who consistently relates to mainstream readers.  People have to find me here in the back corner of the Internet.  It’s because I want my writings to speak louder than me the person.  I make a point to avoid shameless promotion.  Because the way I live my life, I say if a product is worth buying or trying, it travels through word-of-mouth and that’s what leads to a solid following.

Not everyone “gets” my writing.  It’s not for everyone.  Because not everyone is in touch with their “weird side”.  But the weird side is the only side I’ve ever been on.

I write for people who space out like I do.  People who stay to watch all the credits roll after the movie is over.  For those who don’t think Dane Cook or Larry the Cable Guy are funny.

It’s not an exclusive club.  Everyone is welcome to this hideout.  But not everyone wants in.  Not everyone wants to come back.

I want to be perceived as “down to Earth” but I know I’m a little too abstract to actually be.

Just like Dexter (the fictional serial killer) has a certain code he strictly follows in the first two seasons of the show (he has to always be one step ahead, he only kills murderers, he only kills people who he has proven guilty), I have a certain code for the way I write.

My code is inspired by a book my wife got me a year ago for my birthday on how to write professionally. It helps keep focused and hopefully from sounding like I think I’m cool just because I have a website.

Now that scenicroutesnapshots.com has received its 10,000th hit this week, as a thanks to those who keep coming back, I will share my secret code.

Nick Shell’s Code of Writing:

1)     Avoid the use of the word “you” and the phrases “you know what I mean?”, “now I gotta tell you”, and “think about it”. There’s an importance of maintaining a balance of both a professional distance and a personal connection.  This is a non-fiction commentary on life, not a campy sitcom like Saved by the Bell.  Therefore, don’t break the 4th wall by talking directly and casually to the audience.

2)     Avoid using the phrases “I think”, “I feel”, “I guess” or “my opinion is”. While everything posted on the website is an educated opinion, don’t make it obvious.  Speak with authority.

3)     Avoid putting the unnecessary details of your personal life in the writing. This isn’t a reality show or facebook.  There’s no reason to list the full names of people close to me in my life or to make a habit of inserting pictures of my personal life unless it directly relates to what I am writing about.

4)     Avoid profanity. I’ve heard it said before, “If you have to curse to get someone’s attention or to get your own point across, then you need to find a way to be more creative”.  I don’t go around using “awesome” or “stupid” in every conversation, so it’s just as lame to overuse curse words.

5)     Avoid referring to the website as a “blog”. Blogs are for people still using MySpace who are stuck in 2006 or that are obsessed with facebook status updates.  I write.  I put up new posts.  I even write articles.  But I don’t have a blog.

6)     Be edgy but not controversial. There’s no need to preach about abortion or turn my website into a breeding ground for debate.  Finding ways to use the certain words  in the majority of what I write tends to give me the edge I need.

7)  Write about weird stuff but make it seem normal. Or is it more like the opposite?  Write about normal stuff and make it seem weird.  A mixture of both.  That’ll work.

8.) Find somewhat unusual pictures to integrate into the writing material, giving the reader a sense of reading a magazine article. I, for one, like cool pictures to look at while I read.  It’s a way of adding another sensory feel to the experience.

9)  Write an excessive number of posts every month. They won’t all be awesome, but it’s often the ones that I predict won’t really connect with readers that  are the ones that really do.  The more I write, the better I’ll be, and the better I’ll know how to connect to readers.