Movie Guy, at Your Service: The Social Network (Plus, Which Actors are Jewish)

Why this movie guy proclaims it to be “Movie of the Year”.

I am extremely picky when it comes to movies.  Extremely. Very seldom do I finish seeing a movie and say, “There’s nothing they could have done to make that any better.  It was perfect.”  But that’s what I said to my wife as I left the cinema on Saturday afternoon after seeing The Social Network.

For a person who hasn’t seen The Social Network yet, and especially for a person who hasn’t even seen a preview for it either, it would be easy to think of it as Facebook: The Movie, some light-hearted movie about how facebook got started.  Fortunately, the movie’s title doesn’t contain the word “facebook” in it.  “The Social Network” is the best possible title because the film retraces all of the random people it took to invent, expand, sustain, and make a confirmed success out of the website.

I always assumed that Harvard dropout Mark Zuckerberg himself was the responsible for it all.  Played by Jesse Eisenberg, facebook creator Zuckerberg comes across as an obsessed college student with Aspergers (he’s just extremely intelligent, instead), so consumed with his website idea that despite making facebook about socializing with people, that his last concern in the world is actually having real friends.

It’s interesting to see how Zuckerberg journeys through the entire movie, constantly finding ways to improve facebook, plowing through real-life friends along the way, collecting and adding their ideas to his growing snowball of a website.  I had no idea that Napster creator Sean Parker, cleverly portrayed by Justin Timberlake, at one time played an important part in it all.

A key factor in The Social Network‘s success is its dark and sophisticated tone. It’s not just Trent Reznor’s musical contributions going on in the background.  I can confidently state that the movie can’t be described as “fun” or “trendy”.  It’s not quirky in the ways that made Garden State a comedy as well as a drama.  The Social Network is simply just a drama, but an infectiously interesting one.  I was impressed how they could fit the coolness of an R-rated movie into the limitations of a PG-13 rating.

When the movie ended, I came to terms with the fact there was no real climax or truly resolvable plot… just like facebook.  In the movie, Zuckerberg compares facebook to fashion, in that it never ends.  The Social Network, from start to finish, is an ongoing, constantly evolving entity.  For me, the whole movie was a continual plot line and climax. This offbeat formula captures the idea of facebook so well.

For me to say that The Social Network is the movie of the year is to say that it’s better than Inception.  So just to be clear, for me, it was better than Inception. My guess is that most people who have seen both movies will disagree with me. But the cultural relevance, perfectly executed acting, and snappy pace of The Social Network kept my mind from ever wandering.  And in age where things like facebook only encourage ADHD behavior, a movie that can keep my attention for a solid two hours and one minute deserves a prize for that alone.

Ethnic Backgrounds of the Main Cast

The Real South: More Like Andy Griffith, Less Like The Beverly Hillbillies

Because I’m used to talking to hundreds of people every week at work calling from all across the country, I can usually correctly figure out what state the person is calling me from based on their accent over the phone. American accents fascinate me. Because everyone’s got one. Even if it’s simply the official “flat accent” (covers the area from Omaha, NE to Des Moines, IA to Peoria, IL) which is how news broadcasters are taught to speak. Since I am so keen to pick up on a person’s accent, I’ve noticed an odd thing about movies and TV shows. A major lack of Southern characters and the Southern accent.

First I thought it was no big deal. That maybe less people speak with a Southern accent than any other accent. Wrong. According US Census Bureau, more people live in the South than any other particular region of the country. To be exact: 36%.

It’s official: More people speak with a Southern accent in our country than any other accent, even those who have “no accent”.

Most TV shows take place in the Northeast and California. So I understand the lack of the Southern accent because of that. But if most people live in the South, why not simply make more shows that take place in the South? Is it because the other 64% of the country won’t be able to see past the stereotypes they have in their own minds? When a show does have Southern character or setting, it’s completely written into the script as a unique feature in of itself.

A few movie exceptions come to mind: Reality Bites takes place in the country’s 4th largest city: Houston, TX. And amazingly, no cliché Southern references to be found. They just made a good movie that just happens to take place in the South. And one of my favorite movies of the 2000’s is Big Fish. It takes place in Alabama, yet if the Southern accents were removed, the movie would still be the same movie. In other words, the fact it took place in the South didn’t add or take away from the movie. And that’s what I want to see more of. Just simply make more movies in the South, not movies about the South. Why not cater to the majority every once in a while?

With TV shows, this concept of “being Southern but not being blatant about it” is much rarer. The Andy Griffith Show (Mayberry, NC) and King of the Hill (Arlen, TX)l are rare examples. Take away the accents and they’re still a charming shows pointing out the quirks of life in a small town.

I will give credit to LOST. Sawyer is from Jasper, AL. He’s not portrayed as a “dumb Southerner”. In fact, his con artist lifestyle shows he’s actually a pretty clever guy.

While the Southern accent and its many unique features like “ya’ll” and “fixin’ to” may sound ignorant to others, if the Southern accent (and language) is the majority then why must it continue to be treating like the minority?

We Southerners breed the rocket scientists that send people to outer space and the moon. Florida, Alabama, and Texas contain the headquarters for our country’s space programs. We also have Atlanta which blesses the nation with fine networks including The Weather Channel, The Cartoon Network, CNN, TBS, and TNT. Plus, we don’t like unions, so we build foreign cars here providing jobs for our residents: Hyundai, Mercedes, Nissan, and BMW.

“White trash” societies are everywhere, as the Jerry Springer show proved well. But somewhere all the way because of our racist past and slower speech patterns the South has become a believable stereotype of lower class of people to many onlookers.

In my version of growing up in the South, the only racist tension I experienced was the fact that the illegal Mexicans were taking the jobs the rest of us didn’t want. And that’s everywhere. As for a different way of talking, it’s just as easy to pick on the accents of Midwesterners or New Englanders.

Beyond the branded ideas of Elvis, Dolly Parton, fried chicken, and beat-up old pick-up trucks, there lies the Real South. In closing, I have provided a tip of the iceberg list of non-stereotypical Southern people and companies:

Abraham Lincoln: born and raised in Hardin County, KY until age 21
Brad Pitt: born in Shawnee, OK; raised in Springfield, MO
Johnny Depp: Owensboro, KY
George Clooney: Lexington, KY
Dave Matthews: moved to Charlottesville, VA at age 19 (from Johannesburg, South Africa)
Jason Mraz: Mechanicsville, VA
Ed Helms and Brian Baumgartner (“Andy” and “Kevin” from The Office): Atlanta, GA
Stephen Colbert: Charleston, SC
Courtney Cox-Arquette (“Monica” from Friends): Mountain Brook, AL
Owen Wilson: Dallas, TX
Renee Zellweger: Katy, TX
Ben Folds: Winston-Salem, NC
Justin Timberlake: Memphis, TN
R.E.M.: Athens, GA
Better Than Ezra: New Orleans, LA

American Idol has been dominated by Southerners. Not only is host Ryan Seacrest from Dunwoody, GA, but for all except two seasons (the Season 9 winner was Lee DeWyze from Mount Prospect, IL, and the runner up was Crystal Bowersox from Elliston, OH), the winner and/or runner-up was from the South, and the one only who ended up during Country Music was Carrie Underwood:

Season 1: Kelly Clarkson (Fort Worth, TX)
2: Ruben Studdard (Birmingham, AL), Clay Aiken (Raleigh, NC)
3: Fantasia Barrino (High Point, NC); Diana Degarmo (Snellville, GA); Top 3 Finalist, Melinda Doolittle (Brentwood, TN)
4: Carrie Underwood (Muskogee, OK); Bo Bice (Huntsville, AL)
5: Taylor Hicks (Birmingham, AL); Top 6 Finalist, Kellie Pickler (Ablemarle, NC)
6: the exception- Jordin Sparks (Glendale, AZ)
7: David Cook (Tulsa, OK)
8: Kris Allen (Jacksonville, AR)

Coca-Cola: Atlanta, GA
Dr. Pepper: Waco, TX
Fed-Ex: Memphis, TN
UPS: Sandy Springs, GA
Wal-Mart: Rogers, AR
Disney World: Orlando, FL

Self-Defense, In Theory

War.  Capital punishment.  Self-defense.  Protecting someone else from a deadly attack.  When is killing another person necessary?

In American culture, on a near daily basis, we hear or make comments jokingly threatening to kill someone or be killed: “Man, my wife is gonna kill me when she finds out I forgot to go by the bank today!” or “I could just strangle that kid!”  It’s so common we think nothing of it.  The idea of actually killing a person for some trivial offense is humorous, because committing murder is so serious of a crime, we obviously wouldn’t act out our off-hand remarks against some who has frustrated us.

But often, behind every joke is at least a little truth.  I know as a man, I sometimes have to calm my own emotions in events where a person offends or frustrates me.  Because in reality, I am wired to kill, as most men are.  It sounds more melodramatic than it is, and I’m not just saying it because Dexter is one of my favorite TV shows.  Since the beginning of time, men have been engaging in and defending themselves in war.  There is an “execution switch” in a man’s body that once it is turned on, it prepares the man for one sole action: Terminate the enemy.

In Capital Punishment, In Theory, I admitted that I don’t know that I have what it takes to fight in a war: I don’t know that I could kill another person, the enemy, when other than trying to kill me because I am trying to kill him, he could be another  law-abiding citizen who will do anything it takes to protect and care for his family because he loves them, including killing me.  In a way, the dictator of his country is forcing him to kill me.

Yet many men I’ve talked to told me they would be willing to kill someone in war before they could be an executioner of capital punishment.  Not me- I would be willing to pull the trigger, flip the switch, whatever necessary to kill a man who is a murderer or rapist; therefore preventing them from hurting other potential victims.  Other men are wired to terminate soldiers of enemy nations; therefore preventing them from hurting weaker nations, what I call “group self-defense”. And I’m sure there are some men that could do both.

There’s also the scenario of a man defending himself and/or his family- what if an armed man breaks in the house?  Is the man of the house willing to kill that armed shadowy stranger to protect himself and his family?

At some point, taking another human life has to be justified.  Whether as a nation or as individuals, if we never defended ourselves, we would be weak, foolish, defeated, and possibly dead ourselves.  It’s important as a man, who is wired to kill when absolutely necessary, to know which lines another person must cross in order to be worth losing his life.  For me, a man loses his right to live when he murders/attempts to murder or sexually assaults/attempts to sexually assault another person.

Because our nation has basically been fighting most of its wars on foreign land, the thought of “a good man killing a bad man” is pretty much a concept reserved for our military; on a different continent.  But I can’t just look outwardly; I have to look within our borders as well, at the men of the same race and religion as we are who prove they can’t live their lives without hurting their neighbors.  When is killing necessary?  Unfortunately, “never” is not a valid answer in the world we currently live in.

“Kill or be killed” is a tough law to live by; but mankind has been doing it for a long time now, premeditated or not.

dad from day one: Pickles and Ice Cream

Thirty-four weeks.

So the legend goes, pregnant women get crazy cravings for weird food combinations.  The token pairing of pickles and ice cream has become so familiar that it’s now a swanky maternity clothing store.  But is it a funny cliché or simply a reality?  For us, it’s the real deal.

Though my wife has not once dealt with morning sickness throughout the pregnancy, she has definitely battled leg cramps.  Of course, I’ve documented how she’s overcome them, by giving her body a surplus of the nutrients the baby is taking.  Yet since then, as our baby has been getting much bigger, the discovery of pickles (which provide electrolytes) and ice cream (which provides calcium) has helped ensure those leg cramps are kept at bay.

And hey, I’ve got no complaints.  Last Friday night we had to make an “ice cream run” after dinner at the house.  She chose a box of fat free Vanilla frozen yogurt, while I chose a low fat French Silk Chocolate.  As usual, she liked mine better.  Her secret to eating low fat ice cream is this- add two spoons of peanut butter and a little Hershey’s Syrup.  Some might think this defeats the purpose of low fat ice cream.  We’d rather live in ignorant bliss.

All pictures with the “JHP” logo were taken by Joe Hendricks Photography:

Blog- www.photojoeblog.com

Website- www.joehendricks.com

Popular (Yet Subtle) Songs Dealing with Abortion

Pop music finds a way to safely put into words what we sometimes can’t easily speak.

Yesterday as I was driving home, a song came on the radio that I had never heard before- “Red Ragtop” by Tim McGraw.  I’m the kind of person who always listens carefully to the lyrics of a song; and part of the 2nd verse caught my attention: “We were young and wild; we decided not to have a child. So we did what we did and we tried to forget and we swore up and down there would be no regrets.”

It’s important in songwriting to say something without actually coming out and saying it.  In Aerosmith’s 1989 hit, “Janie’s Got a Gun”, the words “rape” and “incest” are never used, but for anyone who has halfway listened to the song before, it’s pretty obvious it’s a story about a girl who is sexually abused by her father and eventually takes revenge by killing him.

Abortion is such a heavy and delicate topic; laced in political, moral, and religious factors.  It’s an extreme thing- typically people are either hard-core against or for it, while there are obviously some in the middle who believe abortion is excused from their opposition reasons in the event of rape, incest, certain death of the mother, etc.  But to never bring it up in the entertainment genre of music would be odd, given that it’s an event that happens every day- an event that has affected many people, most of whom I am not personally aware of who they are.

So I find it very interesting to see songs become hits that deal with abortion.  Aside from “Red Ragtop” which went to #5 on the Country charts, there are two particular songs I want to examine.  It was only a few years ago I found out that in these songs the protagonist’s girlfriend gets pregnant and has an abortion.    They were both performed by alternative rock artists and were popular while I was in high school.  And the songs both have a strong emotional tune to them while straightforwardly telling their stories with lyrics that evoke shame, sadness, and a sense of regret and guilt mixed with the realization of the need to move forward in life, despite their personal choices.

The first of these songs is “The Freshmen” by The Verve Pipe which rose to #5 in 1997.  While this song is officially about a guy dealing with guilt after his girlfriend commits suicide, I can’t deny the fact that some of the lyrics paint the picture of abortion as well- which according to Wikipedia, is the actual story behind the song: http://en.wikipedia.org/wiki/The_Freshmen_(song).  Here are some lyrics from “The Freshmen”.

When I was young I knew everything
And she a punk who rarely ever took advice
Now I’m guilt stricken, sobbing with my head on the floor
Stop a baby’s breath and a shoe full of rice

I can’t be held responsible
‘Cause she was touching her face
I won’t be held responsible
She fell in love in the first place

For the life of me I cannot remember
What made us think that we were wise and we’d never compromise
For the life of me I cannot believe we’d ever die for these sins
We were merely freshmen

We’ve tried to wash our hands of all of this
We never talk of our lacking relationships
And how we’re guilt stricken sobbing with our heads on the floor
We fell through the ice when we tried not to slip, we’d say

The other song, more surprising for me, is “Brick” by Ben Folds Five, which also was a hit in 1997: http://en.wikipedia.org/wiki/Brick_(song).  Below are lyrics from the 2nd and 3rd verses.  After reading them, the reality of this song becomes much clearer.  I had always thought of “Brick” as a decently happy song; at worst, a song about a happy guy and a depressed girlfriend.  But it’s obviously much more than that:

They call her name at 7:30
I pace around the parking lot
Then I walk down to buy her flowers
And sell some gifts that I got
Can’t you see?
It’s not me you’re dying for
Now she’s feeling more alone
Than she ever has before

As weeks went by
It showed that she was not fine
They told me son, it’s time to tell the truth
She broke down, and I broke down
Cause I was tired of lying
Driving home to her apartment
For a moment we’re alone
Yeah she’s alone
I’m alone
Now I know it

So beyond our own personal convictions on abortion, the songs mentioned here give us the gravity of it: Even dressed up in a catchy song, the truth is, the subject of abortion itself leaves a feeling of sadness and regret.  The narrators of these songs have been deeply affected by their decisions.  It appears they’ve learned to forgive themselves, even if under the guise of “we were young and irresponsible”, yet they aren’t able to forget; as consequences resurface.