The Importance of the Perfect Ending

It’s satisfaction we’re looking for; not perfection.

Editor’s note: This post pretty much gives away the ending to the first Rocky movie and the finale episode of Lost.  If that matters to you, please don’t read it.

When it comes to movies and TV series, if the ending isn’t satisfying, I typically label the whole thing as “not that great.”  Movies like Quarantine and Vantage Point could have been so good, but the 90th minute proved the other 89 to be a waste of time.  On the other side of the token, movies like Cast Away and The Social Network could have totally had a lame, pointless, or predictable ending; but instead, the events leading up to the finale were brought together in a way that had me leaving from the theatre thinking, “good job, movie makers” instead of hearing a collective, annoyed gasp from the audience at the ending of another M. Night Shyamalan film that we all tried to give a chance.

Of course a good ending doesn’t always mean they all lived happily ever after, but at least that the characters learned from their experiences and became better people accordingly.  Like the first Rocky for example; by the end of the movie we realized we didn’t truly care whether or not he actually won the fight.  The point was that Rocky was given the chance to fight someone out of his league, he fought a good fight, and that Adrian was there to support him no matter what happened.  It was a perfect ending, even if our expectations were assuming he would win the fight at the end.  “Perfect” endings don’t actually have to be perfect; they just have to be worth the ride.

I have come to the realization that one of the reasons I am a movie enthusiast is because watching good movies is a fun way to (metaphorically) download lessons on social situations into my brain and to become more “life experienced” without having to actually live through those experiences myself.  Sure, a major part of life is learning from your own mistakes.  But most of the time, I prefer to learn from other people’s mistakes- and I don’t care whether or not it’s someone I actually know in real life or a fictional character in a movie.  I think it’s such a wonderful bonus that in addition to the character building experiences I already learn from everyday life, I can extract this knowledge from stories shared through the seemingly petty vehicle of entertainment.

To me, no ending will ever be better the finale episode of the TV show Lost, where the characters reunite in the afterlife to reminisce their shared years of life on Earth together, despite the fact that by that point (not the entire six seasons) they had all been dead for decades or even centuries.  It was unique and extremely creative in that it superseded the limited perspective of the human lifespan.  Despite acknowledging that while what we do here on Earth does indeed matter and yields eternal consequences, it reminds us that one day this life does indeed end.  And whether or not we fully understand The Smoke Monster or why Walt was so special or how long Hurley and Ben Linus ended up staying on the island, the point isn’t that we get all our questions answered in detail.  And whether or not you’ve ever seen an episode of Lost to understand those bizarre references, the perspective of looking back on the meaning of our lives from an post-life view is pretty interesting; it reminds us who and what truly matters to us.

No matter which side of the parallel between real life and the entertainment world I am on, I am still wired to want the perfect ending.  I have to believe that in real life I will live a long and happy life with my family.  Simply, I just want a realistic and satisfying ending, with a few pleasant surprises thrown in for good measure, since I know there will be unpleasant surprises disguised as necessary plot lines.  A perfect ending isn’t always defined by all the ends being tied together when the credits roll.  Instead, it’s knowing there is meaning behind it all- that is satisfaction.


Movie Guy, at Your Service: The Social Network (Plus, Which Actors are Jewish)

Why this movie guy proclaims it to be “Movie of the Year”.

I am extremely picky when it comes to movies.  Extremely. Very seldom do I finish seeing a movie and say, “There’s nothing they could have done to make that any better.  It was perfect.”  But that’s what I said to my wife as I left the cinema on Saturday afternoon after seeing The Social Network.

For a person who hasn’t seen The Social Network yet, and especially for a person who hasn’t even seen a preview for it either, it would be easy to think of it as Facebook: The Movie, some light-hearted movie about how facebook got started.  Fortunately, the movie’s title doesn’t contain the word “facebook” in it.  “The Social Network” is the best possible title because the film retraces all of the random people it took to invent, expand, sustain, and make a confirmed success out of the website.

I always assumed that Harvard dropout Mark Zuckerberg himself was the responsible for it all.  Played by Jesse Eisenberg, facebook creator Zuckerberg comes across as an obsessed college student with Aspergers (he’s just extremely intelligent, instead), so consumed with his website idea that despite making facebook about socializing with people, that his last concern in the world is actually having real friends.

It’s interesting to see how Zuckerberg journeys through the entire movie, constantly finding ways to improve facebook, plowing through real-life friends along the way, collecting and adding their ideas to his growing snowball of a website.  I had no idea that Napster creator Sean Parker, cleverly portrayed by Justin Timberlake, at one time played an important part in it all.

A key factor in The Social Network‘s success is its dark and sophisticated tone. It’s not just Trent Reznor’s musical contributions going on in the background.  I can confidently state that the movie can’t be described as “fun” or “trendy”.  It’s not quirky in the ways that made Garden State a comedy as well as a drama.  The Social Network is simply just a drama, but an infectiously interesting one.  I was impressed how they could fit the coolness of an R-rated movie into the limitations of a PG-13 rating.

When the movie ended, I came to terms with the fact there was no real climax or truly resolvable plot… just like facebook.  In the movie, Zuckerberg compares facebook to fashion, in that it never ends.  The Social Network, from start to finish, is an ongoing, constantly evolving entity.  For me, the whole movie was a continual plot line and climax. This offbeat formula captures the idea of facebook so well.

For me to say that The Social Network is the movie of the year is to say that it’s better than Inception.  So just to be clear, for me, it was better than Inception. My guess is that most people who have seen both movies will disagree with me. But the cultural relevance, perfectly executed acting, and snappy pace of The Social Network kept my mind from ever wandering.  And in age where things like facebook only encourage ADHD behavior, a movie that can keep my attention for a solid two hours and one minute deserves a prize for that alone.

Ethnic Backgrounds of the Main Cast

The Real Mark Zuckerberg