dad from day one: Won’t Ever Be Lonely

Week 6.

Maybe somewhat surprisingly, I am a proud Country music fan- though I’m ultimately a Dave Matthews Band/Guster/John Mayer/Bruce Springsteen/Tom Petty kind of guy.  In the past few weeks, in the midst of leaving our lives behind in Nashville and entering uncertainty and a current status of “in between jobs” in Alabama, not having much to do but constantly search for jobs and take care of our baby, the lyrics to a Country song by Andy Griggs from 1999 keep coming to my mind: “I promise you now, you won’t ever be lonely.”  Though the song is obviously written from the perspective of a man in love with a woman, looking forward to spending the rest of his life with her, the lyrics now speak to me in a different way:

“You’re safe from the world wrapped in my arms and I’ll never let go.  Baby, here’s where it starts and I promise you now you won’t ever be lonely. Here’s a shoulder you can cry on and a love you can rely on.  For as long as I live
there will always be a place you belong.”

But while the words to this song obviously make perfect sense in the perspective of me speaking to my child, they actually are more relevant to me in this mindset: I won’t ever be lonely.  Not just him.  But I won’t ever be lonely.

I am better able to understand now why there are so many pregnant teenagers and why MTV’s 16 and Pregnant is such a popular show- because so many kids today are lonely. (I am under the crazy notion that a good number of pregnant teens and extremely young parents are not getting pregnant simply because of the careless lack of birth control, but instead because they subconsciously want to be have a baby in a attempt to be loved by someone.) So many daughters have never been told by their fathers that they are beautiful. So many sons have never heard their father tell them “I’m proud of you”.   Having a baby definitely changes the lonely factor in many ways.  Even if the 19 year-old father who works for minimum wage at the oil change place bales on her soon after the baby is born- at least that young mother will always have someone depending on her.

Granted, I haven’t been lonely in a long time.  But I can easily remember it.  It can be painful; literally.  Last week I watched a National Geographic documentary on solitary confinement where I learned that loneliness is processed in the same part of the brain as pain.  I can easily remember being 20 years old, feeling lost, out of place, an unmatched. I wondered for the next five years if I would be like the actor who played Mr. Belvedere, who never married or had children his whole life. But at age 25, my wife and I met each other and those heavy and desperate thoughts of loneliness haven’t entered my mind in over four years.

Now at age 29, I am the opposite of lonely.  I have a wonderful wife and a beautiful and hilarious baby son that I will always matter to.  And I have a feeling that the older our son Jack gets, the more attention and energy of mine that he will require.  At least until he reaches 7th grade and gets too cool for me.

Lyrics to Andy Griggs’ “You Won’t Ever Be Lonely”:

Life may not always go your way
And every once in awhile you might have a bad day
But I promise you now you won’t ever be lonely
The sky turns dark and everything goes wrong
Run to me and I’ll leave the light on
And I promise you now you won’t ever be lonely

For as long as I live
There will always be a place you belong
Here beside me
Heart and soul baby — you only
And I promise you now you won’t ever be lonely

It’s still gonna snow and it’s still gonna rain
The wind’s gonna blow on a cold winter day
And I promise you now you won’t ever be lonely
You’re safe from the world wrapped in my arms
And I’ll never let go
Baby, here’s where it starts
And I promise you now you won’t ever be lonely
Here’s a shoulder you can cry on
And a love you can rely on
For as long as I live
There will always be a place you belong

Here beside me
Heart and soul baby — you only
And I promise you now you won’t ever be lonely
No, no, you won’t ever be lonely

dad from day one: The Due Date

Forty weeks.

Don’t ask me how, but all week my wife and I have had the theme song to the ‘80’s sitcom Mr. Belvedere stuck in our heads.  In the mindset of “if you can’t beat ‘em, join ‘em”, we downloaded the song as our ringtones for when we call each other.  That has caused me to revisit some of my most favorite theme songs from these sitcoms that served as the backdrop of my childhood.  A very interesting trait that many of these TV shows had in common with each other (and accordingly, the lyrics to their theme songs) is that premise was that an outsider moved into the household, therefore throwing normalcy out of whack.  Which totally relates to what’s going through my head right now about our upcoming new addition, a baby boy. (In order to qualify, the sitcom had to actually start in the 1980’s; Diff’rent Strokes, Mork and Mindy, and The Facts of Life don’t qualify since since they premiered in the ’70’s.)

For example, here’s a sitcom that had it all, yet could have only existed in the 1980’s: An all-American family, laugh tracks, and an Alien puppet. Of course, I’m referring to Alf. While the song had no words (instead it sounded like what would happen if you pressed the “demo” button on a $200 Casio keyboard in 1988), the thought of a little creature running around the floor chasing cats loosely translates having a baby boy. For Family Matters, the intended outsider was Estelle Winslow who moved in with her son Carl’s family, though unexpectedly the true outsider instead became Steve Urkle (intended only as a guest star) instead a few episodes into the first season.

In Mr. Belvedere, a British butler moves in with an American family living in Philadelphia: “Sometimes things get turned around and no one’s spared… There’s a change in the status quo.  Preparing for our new arrival.  We might just live the good life yet…”


Another prime example is from one of my favorite sitcoms ever, which happens to have my favorite TV show theme song ever.  In Perfect Strangers, city slicker Larry Appleton is thrown for a curve when his distant cousin Balki moves from his mysterious Mediterranean village to live with Larry in Chicago: “Sometimes the world looks perfect- nothing to rearrange.  Sometimes you just get a feeling that you need some kind of change…”


In Full House, it was  Joey and Uncle Jesse who mixed things up by moving in with the Tanner family: “What ever happened to predictability?”

There was CBS’s version of Diff’rent Strokes: Webster.  As a kid, I actually liked Webster more than Arnold: “Til there was you…”


The next two sitcoms both premiered in 1984 and featured an Italian-American who moved into the household as a “manny”. Who’s the Boss? contains my 2nd favorite theme song ever and often caused me to believe that Tony Danza was my uncle: “You might awaken to a brand new life around the bend…”


Even though I never watched it, I know it was a big deal to a lot of people- Charles in Charge: “New boy in the neighborhood…”


You’re welcome… for being led into a world of nostalgia.  It’s pretty much a fact that you’ll be struggling to get one of those songs out of your head for the rest of the day.  So being such a sentimental guy as I am, I’ve been thinking about the current events that are going on right now.  That way I can tell Jack what was going on around the time he was born:

Interestingly, on November 5th, the movie Due Date hit theatres.  Daylight Savings was two days later; meaning that when it’s that time again to set back the clocks every year, it will almost be time for Jack’s birthday.  Conan O’Brien’s new show premiered this week (November 8th) and sure enough on last night’s episode during the monologue Conan pointed out that it was exactly nine months ago that his gig at The Tonight Show ended; so if because two people felt sad for Conan losing his job they decided to “get frisky” to be happy again, their child would be born this week.  Good call.

It will also be pretty neat that I will be able to show Jack the November 2010 issue of American Baby, in which in his birth was anticipated.  He is not making his debut unannounced; that’s for sure.  Today, November 11th, is not only Jack’s due date but it’s also my dad’s birthday, whose name is also Jack.  So even though he won’t have the same exact birthday as my dad, their birthdays will always be close.

Of all the pregnancy advice I’ve been given, the one thing no one warned me about is this: For first time moms, it’s normal and expected to not delivery until a full week after the due date.  So if you or your wife are approaching your due date, don’t do like I did and get all psyched, thinking the water is going to break at any moment.  Because then everyone is constantly asking for and expecting baby news, but sure enough, the baby is unaware of his due date.  He’s coming out when he’s good and ready.

I have to remind myself that my baby is not a Hot Pocket, with an exact predetermined time of two minutes in the microwave.  In fact, that would be pretty weird if he truly was born right near the due date.  We went to the doctor today.  Thank God, Baby Jack has still got a strong heartbeat and is in a good position.  He’s turned the correct way and everything.  But as far as when he gets here, I’m sure it will be the moment that I (and everyone else) least expects it.  He’s a sneaky little guy.

All pictures with the “JHP” logo were taken by Joe Hendricks Photography:

Blog- www.photojoeblog.com

Website- www.joehendricks.com




Show Me That Smile Again, Don’t Waste Another Minute on Your Cryin’

There’s no around it.  We  lived through a couple of decades of gathering around the fake wood grain Zenith TV on shag carpet to watch what we knew as the American sitcom.

Laugh tracks.  Freeze frames to conclude the episode.  Inspirational advice during the 23rd minute of the episode accompanied with soft and cheesy keyboard music (made famous by Danny Tanner and Uncle Jesse).  Annoying catch phrases like “Did I do that?”  And most importantly and best of all, their wonderful theme songs that are so just you just want to cry, which featured a few seconds of footage from each main character for that season as the show came on.

That was 1977 through 1997.  Two solid decades of pure delight.

But these days, what do we consider to be the 30 minute sitcom?  The Office.  30 Rock.  There are others, but certainly the list doesn’t go on like it did in the days of Mr. Belvedere.

Now the theme songs don’t have words.  And we have to figure out on our own when to laugh.  And typically there’s no moral lesson to learn.  Just ironic humor.  By the 28th minute of the episode, the characters are not necessarily any better off than they were when the plot was introduced at minute 3.

But those good feelin’ sitcoms of the 1970’s, ‘80’s, and ‘90’s can never be revived.  Because we as an American audience have outgrown them. We couldn’t take The Office seriously if there were laugh tracks and if at the end of every episode Michael Scott gave Jim a heart-to-heart talk about what it takes to be a good leader.

Our preference of comedy has evolved from lighthearted insults and sight gags to dry humor stolen from the British.

Speaking of irony though, we live a double standard.  What we will not accept in modern comedy, we still accept in reruns that come on in the evenings right before our new shows.  Shows like Friends and Seinfeld which followed much of the old-school traits of sitcoms, though they weren’t family sitcoms.

We differientiate:  It’s 6pm and laugh-track infused Friends is on.  Something in our subconcious says, “It’s okay, that was the ’90’s.”  Then a few hours later 30 Rock is on and we hold it to a different standard.  We’re more sophisticated than we were at dinner.  Because we have to be clever enough to get the jokes of our dead-pan humor queen Tina Fey.

What caused us to change what we accept as humor?  The dynamics of the modern family.

Something that has a lot to do with explaining why classic family sitcoms have disappeared from cable TV is The Disney Channel, which is now included with basic cable.  But when we were younger, it cost extra every month.  So back then ABC, NBC, and CBS had to make sure the majority of their comedies were family sitcoms. 

Now, kids can watch their corny shows like iCarly in their own bedrooms while their parents watch something cooler in the living room.  Man, I miss Tony Danza.