Recaps

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Hall and Oates are Officially Cool Again, Says Me

They make my dreams come true.

Yesterday my wife and I were hanging out at our new favorite brunch spot in Nashville, The Perch.  As we were waiting on our crepes, we both had our laptops up and running (she was working on stuff for her Master’s program, and I was catching up on burning about a dozen CD’s that I’ve bought since last December).  An energetic couple sat down at the table across from us; as she walked past, the wife snuck a peak at the pile of CD’s I had laying on the table.

“Just checking out your musical style”, she said with a curious smile.

I lifted up Landon Pigg (a local Nashville artist recently featured on an ATT commercial) and Pete Yorn & Scarlett Johansson to give her a good idea of exactly was is music to me.  She approved.

But then, I pulled out the one she couldn’t see because it was currently being burned.  And that definitely got her attention as well as her husband’s: The Essential Hall and Oates.

She eagerly told me about Daryl Hall’s current website, in which he invites special guest musicians to play concerts in his house.  Within a minute, she had emailed me the link.  http://www.livefromdarylshouse.com/index.php?page=ep30

As if it wasn’t obvious, being that I’ve referenced Hall and Oates in the last couple things I’ve written, I’m a little bit obsessed with this feel-good duo.  Maybe it started when they performed on the recent American Idol finale and I realized they not only are still performing but also haven’t changed who they are one bit.  Because there was John Oates bouncing and bopping around on his electric guitar and Daryl Hall running the show in all confidence.

Some musical acts could have only been popular during the time they were popular.  Hall and Oates is the epitome of them.  The late 70’s and early 80’s were the only time that a male duo singing group looking the way they did and performing the way they did could not only get away with it, but have six Number Ones and have 34 singles to chart.

The duo of course is comprised of  Daryl Hall (of Scottish heritage) and John Oates (half Italian, a quarter Spanish, and a quarter British English).

Hall and Oates is also the kind of musical act that sings so many more songs than I ever realized.  I’d been hearing their songs all along, assuming it was a random one hit wonder.

If I was asked two weeks ago (before I bought their 3 disc greatest hits set) which songs Hall and Oates sang, I would say “You Make My Dreams”, “Maneater”, and “Out of Touch”.  Just the tip of the Oatesberg:

Here’s a brief looks at their credentials:  Their six Number Ones were “Rich Girl”, “Kiss on My List”, “I Can’t Go for That (No Can Do)”, “Maneater”, and “Out of Touch”.  A few of their 34 singles that charted include “You Make My Dreams”, “You’ve Lost That Loving Feelin’”, “One on One”, “Say It Isn’t So”, “Adult Education”, “Method of Modern Love”, and “Sara Smile”.

But after listening nonstop to the 40 plus songs on the 3 disc set I bought exactly a week ago, my favorite song of theirs, to my surprise, is not “You Make My Dreams” (which hilariously leads into the guitar solo with the lyrics “well listen to this”).  It’s instead one that I truly never heard prior to seven days ago.  A song that peaked at #6 in June of 1983.  The song is “Family Man”.

Complete with a grungy guitar riff reminiscent of Weezer’s 2001 hit “Hash Pipe”, perfect back-up vocal spurts, and the off-beat subject matter (for a pop song) of a faithful husband and father basically saying “skat!” to a temptress.  And best of all, it was a hit in 1983.

As I recently explained to a friend who was much less familiar with Hall and Oates as I made him listen to them in my car, “They’re the kind of music you should listen to if you’re considering suicide.  You’ll change your mind by the end of the first song.”

Now Simon and Garfunkel, well, that’s a different story.

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Super Mario Bros. from a Logical Perspective, Finally

There are moments in the pop culture highlights of our lives where we are so consumed by awesomeness and groundbreaking concepts that we never even think, “Man, that’s pretty weird now that I think about it…”

It’s been a long time coming, but after 25 years since its introduction to America, (1983 in Japan, 1985 in the US) I need to set aside some time to question the life-changing vice called Super Mario Bros. The first issue that I’ve been thinking about is Mario’s ability to jump.

Have you have really thought about how high he can jump? I would say he probably jumps the distance of about six of himself high. Mario looks like he’s about 5’ 8 (I would say Luigi is more like 6’ 1). Since I’m bad at math I’ll just do some rounding.

Mario can jump about 36 feet high. He can be standing still and just jump 3 stories high. And he never hurts his ankles or knees.

That is not normal!

And in case you haven’t noticed, every game is this way in the world of video games (unless the character doesn’t jump at all like in the original Legend of Zelda).

What does Mario do with all those coins? They are about the same size as him. Imagine seeing a coin the same size as you and putting it in your pocket. Then collecting 50 more of them within the next 20 seconds. That’s gottta be heavy!

And what’s so bad about touching an enemy? If you touch a wild creature in the woods, let’s say a mountain lion for example, do you instantly die? No, the mountain lion would have to at least bite you or something. But in Mario’s world, you die if you touch any other living creature. Unless it’s a mushroom or fire flower. And in that case, what is he doing with them? Eating them? Again, how do you eat a five foot tall mushroom instantly?

And what’s up with all the holes in the road? What’s at the bottom of those holes? I mean, I would think that at least some of the time when Mario falls down a hole, he could grab on to a branch or something and not lose his life. But there really shouldn’t be that many holes in the first place.

Lastly, why can Mario hit his head on all those bricks and never get a concussion?  Or if he’s using his first to break the bricks, why is Mario’s fist not a bloody pulp pretty much immediately?

Nevermind the fact the bricks are floating in the air. I’m willing to get past that. Mario isn’t even wearing a helmet when he busts the bricks with his head or gloves on his hands if he’s punching them!

We have overlooked so much ridiculousness because this game forever changed our lives for the better and for the weirder.  Without this American staple of growing up in the 1980’s, I imagine a world where people in their late 20’s and early 30’s would be more boring and less weird.

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The Mute Button (Laryngitis)

 I have become Larry N. Gitus.

There were certain plot devices that seemed to be especially rampant in sitcoms and movies of the 1980’s.  Like quicksand.  Good thing there was always conveniently a drooping branch or vine hanging off a nearby tree in which the sinking character was could grab onto, often thanks to the assistance of a timely passerby or a heroic Labrador Retriever.

Another one was amnesia.  Began three minutes into the episode and lasted until three minutes from the end of it, when the character would get hit on the head and instantly remember who they were and gain their normal personality back.

The third exhausted plot device of the 1980’s that comes to mind is the one I’ve been suffering with for the past two days: laryngitis.  Whenever the weather goes through an extreme change (it’s been cold and rainy for the past two months, then finally, this weekend, Nashville switched gears to a hot and sunny climate again) my body suffers some sort of random condition.

Like painful sinus pressure in my teeth.  Or sensitive body aches.  Or lack of appetite.

But this time, I lost my voice.  Yesterday all I could do was whisper.  No vocal tone whatsoever.  As for today, my best moments have been the phantom groups of 15 minutes where I could talk, but sound like Brad Garrett (the Jewish actor who played the Italian character Robert Barone, Raymond’s older brother on Everybody Loves Raymond).  I sound like a victim of scandal being interviewed on 20/20, having my voice disguised with a voice modulator.  But that’s only when I’m lucky.

During my usual bike ride through the park during my lunch break, a guy ahead of me was walking while talking on his Blue Tooth, in the middle of the path.  There was no way to warn him I was coming up behind him.  So I just moved to the edge of one side to stay out of his way.  But I still really scared him as I slowed down to ride past him.  Too bad I didn’t have a bull horn.

Then I could have scared him even more.

Losing my voice has only happened to me one other time, and that was only for half a day.  I’m hoping to be able to speak by the end of the week.  It’s very frustrating as the event planner of my family (my dad is the mechanic/carpenter, my brother-in-law is the computer whiz) not being able to call everyone to make plans for Memorial Day.

Text messages and emails are a good thing, but still there’s nothing like being able to use words out loud.

But until I get my voice back, I least I can write.  It would have been a horrible week not to, with the finale of LOST and the premiere of Ali Fedotowsky’s Bachelorette season in the same week.

Like a young child just learning to speak but who is frustrated because they can only get certain phrases out that make sense to other people, so am I.  Not to mention the frustration I constantly try to manage amidst all the well-meaning people around me who think it’s funny that I sound like Donald Duck or a big dumb ape.

And the irony is, I’d laugh with them all as they tease me.  If only I literally could.

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The Ethnic Backgrounds of the Cast of Friends and Seinfeld (Yes, Most of Them are Jewish; Even Matthew Perry)

 

After the recent overwhelming success and popularity of The Ethnic Backgrounds of the Cast of LOST, I decided I am among the thousands who are also intrigued by the vast different backgrounds of the actors of all-American TV shows.  Starting with curiosity of my own ethnic background, I soon stumbled into a new hobby/obsession: studying and memorizing the ethnic backgrounds of celebrities.  I am officially claiming to be an ethnic background specialist.  And I’m half serious, half joking when I say that.

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Of course for me, the most fascinating part is always discovering the Jewish actor(s) and writer(s).  Being that there are more than twice as many Asians than there are Jews in America, in theory, for every Jewish actor in a show there would be two Asian actors.  Or, being that Jews make up 1.7% of the American population, for every 100 actors in a show or movie, only two would be Jewish.  But that’s almost never the case.

So with that in mind, I felt the best way to officially start “The Ethnic Backgrounds of the Cast” series is by examining two highly popular Jewish sitcoms.  Whereas most sitcoms have at least one Jewish actor as part of the cast who plays a plain ole’ American mutt, both Friends and Seinfeld featured Jewish actors who occasionally incorporated their “Jewishness” into their  characters and the culture of the show itself.

To keep from being confusing, unless specifically stated, “English” simply means the actor is American but of English descent.  Same thing with “Scottish”, “Irish”, etc.  However, if the actor was actually born in England and is not an American, I will specifically state they were born in England, or whatever country they were raised in.

If the actor is Jewish, and I know what country their family moved to America from, I will say “descended from” or “of (ex: German) descent”.  In other words, each actor is American born, unless otherwise stated with the phrase “born in”.

Friends:

David Schwimmer (Jewish, descended from Germany) as “Ross Geller” (Jewish)

Courtney Cox-Arquette (English, though she is married to David Arquette, who is Jewish, she did not convert) as “Monica Geller (Jewish)

Jennifer Aniston (half Greek, quarter Italian, quarter Scottish) as “Rachel Green” (American)

Lisa Kudrow (Jewish, descended from Russia) as “Phoebe Buffay” (French)

Matthew Perry (half Canadian-English, half Jewish) as Chandler Bing (Scottish)

Matt LeBlanc (French, Italian, Dutch, Irish) as “Joey Tribbiani” (15/16 Italian, 1/16 Portuguese)

Elliot Gould (Jewish) as “Jack Geller” (Jewish)

Christina Pickles (English, born in England) as “Judy Geller” (Jewish)

James Michael Tyler (English) as “Gunther” (Dutch)

Hank Azaria (Jewish, descended from Greece) as “David the Scientist”, Phoebe’s on-again-off-again boyfriend (American)

Paul Rudd (Jewish, descended from England) as “Mike Hannigan” (Irish)

Created by David Crane (English) and Marta Kauffman (Jewish, descended from Germany)

Seinfeld:

Jerry Seinfeld (Jewish, of Polish, Ukrainian, and Syrian descent) as “Jerry Seinfeld” (Jewish)

Jason Alexander (Jewish, of German descent) as “George Costanza” (half Italian, half Jewish)

Michael Richards (half Italian, half English) as “Cosmo Kramer” (Jewish)

Julia Louis-Dreyfus (Jewish, of French descent) as “Elaine Benes” (Czech)

Created by Jerry Seinfeld and Larry David (Jewish)

And if you’re interested in taking a DNA test like I did to find out if you might have Jewish DNA, here’s the link to MyHeritage.

Or if you gotta have these Seinfeld shirt below, you better click here to find the best price on Amazon!

 

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LOST Recap: Finale- “The End”

I loved it.  Absolutely.  And I believe it was the best, and really, only way, to end the show.  But it just took me 24 hours after watching to understand why.

The entire show was just about Jack Shephard.  Everything else, including the island and its ability to heal people and time travel, the Smoke Monster, the Dharma Initiative, the Others, Jack’s friends, Jack’s enemies, the light in the cave… All of it were the parts of Jack’s life that ultimately mattered to his existence.

In the likeness of the movie Vanilla Sky, when you’re dead, it’s all over- so why focus on the character’s earthly life after they die?  But the writers of LOST took that concept to a new level by acknowledging that all the mysteries, actions, heartaches, and triumphs all boil down to one thing- the people that were involved in your life.

Even Vincent the dog’s best purpose on the island was to comfort Jack as he died.

I definitely plan to write much more in the near future answering the remaining questions about LOST: Why was The Man in Black never given a name?  Who was the first protector of the island?  Did it really matter that Desmond and/or Locke typed the code every 108 minutes?  What was really accomplished by Juliet sacrificing her life by detonating the bomb in 1977?

But as for today, I think it’s more important to focus exactly what happened in the finale.  The most begging question is what’s up with the flash-sideways?

The first time we saw the characters of LOST in the finale season, they were on the plane.  Note there were never flash-forwards or flash-backs during the flash-sideways, indicating no past or future in that timeline.  They weren’t reincarnated, having to live their lives all over again, in this version with the island being sunk.  The alt-reality was simply an “acknowledge your dead and that your life mattered” precursor to the afterlife, often referred to as “purgatory” or “the waiting room”; it started with the plane ride.

Keeping in mind that life on the island (and “the real world”) continued after Jack died, that Hurley and Ben served as the island’s protectors for the rest of their lives, that Claire, Kate, Sawyer, Richard, Miles, and Frank all left the island and lived normal lives back in the United States or wherever they chose to re-establish their lives… they all still died at some point.  Most of them of old age, living to be in their 70’s.

And once they died, before going to Heaven, they were reunited, having the blessing remembering how they mattered to each other.  And since time, in essence, doesn’t exist in the afterlife, they all met at the same time, since it didn’t matter that Jack died 40 years before most of them did.

But because Jack was the main character of the show, the show stopped with his earthly death.  The rest of the living characters lived their rest of their lives and eventually died, the show just didn’t continue to follow their earthly lives.

So when Jack died in 2007 (three years after originally crashing on the island), and (say, for example) that Kate died in 2051, they met at the same time in “the waiting room”.  (Because time doesn’t exist after earthly life ends.)  Then they went on to Heaven with the rest in the church.  (And Ben went once he was ready.)

The writers were clever to utilize a nearly universal belief that there is some sort of life after death.  The episode was quite saturated in Christianity (which was a smart idea since most of America identifies with some version of it), yet didn’t write off other popular international religious beliefs, thanks to the “major six religions of the world” stained glass window in the church.  The point wasn’t to depict any religion’s specific teaching on the afterlife as specifically accurate, but to instead play and expound on our perceived general ideas on life after death and the importance of the people in our lifetime after we die.

I don’t see how LOST could have ended any other way.  Yes, technically “all our questions” were not answered.  But it involves using our imaginations and clues from the show to fill in the blanks, as we as Losties have been doing the whole time.  It will bring me much joy to take matters into my own hands by filling in these blanks with many more LOST posts to come.

Comments welcome.

(They will most likely be spun off into a new post if they are interesting, insightful, or raise a good question; or instantly deleted if they are full of nerd spite: “NO!  You’re wrong!  What really happened was…  Looks like you never thought of that while trying to make your weak point, did you?…”).

http://today.msnbc.msn.com/id/37320802/ns/today-entertainment/