The Return of the Small Town: Boom Days 2010 in Fort Payne, AL

A glimpse at the culture of Fort Payne, Alabama.

It can be common for people who grow up in a small town to want to move away as soon they graduate high school, as was the case for myself.  Since I graduated from Fort Payne High School in 1999, I have lived in Florida, Virginia, and for the last five years, Nashville.  That means for over 11 years, I have pretty much lived away from the hometown that molded me.  Now, I realize that a lot of this could be that I am married now and have a baby on the way, but I must admit, my old hometown suddenly seems really cool again.  Maybe it’s because the pace of my life is slowing down, compared to my single days and even my married-with-no-children days, and is now starting to match the speed of a small town and no longer a big city.  But I still think something special is happening in this small town, apart from my interference or commentary.

This past weekend my wife and I spent the weekend there with my parents, sister, and her husband.  My sister Dana had mentioned to me that there was this thing going on called “Boom Days” on Saturday in the city park.  She heard something about free pancakes and people dressed up like “old times”.  That’s all she knew.  I was way too curious about this possible Lord of the Rings picnic not to go.  So I went.

Turns out the pancakes weren’t free, but instead they were part of an all-you-can-eat-pancake-buffet for just five bucks, and the people dressed up were Civil War reenacters, not from Medieval times.  There was also a llama, a clown, a car show, a guy on a unicycle, horses, cool crafts exhibits, three concert stages, (four if you count two guys playing bluegrass on the sidewalk), a BBQ competition, and even a dog show.  I had originally only planned to check it out for a little while to say that I went, then leave.  But instead, I was there for over two and half hours and left with a slight sunburn.

In other words, I had a whole lot of fun.  It was a reunion of sorts: I caught up with some childhood classmates like Alex Igou and Tiffanie Baker Vincent, as well as our legendary elementary school librarian, Mrs. Jane Mauldin.  Boom Days 2010 was truly the kind of city wide event that had something for everybody.  I predict that like the days of June Jam (1982-1997), Boom Days will similarly help the culture of the town to resurface.

It wasn’t really until I was in college and started bringing friends home for the weekend that I realized that Fort Payne supersedes commercialized stereotypes of what a small Southern town is supposed to be like.  Fort Payne is not simply Country music, cows, and tractors- which are all good and necessary.  Being that when I was growing up I was constantly in plays and musicals, most of them written and directed by native Eddie McPherson, I was always aware of Fort Payne’s love of the arts.  It has to mean something when there are two theatres in downtown, on the same street, a block away from each other.

Fort Payne is also set apart from many towns in that half of the city is on a mountain and the other half is in a valley.  I grew up on the mountain side, sandwiched in between Little River Canyon, Little River Falls, De Soto State Park, and the artistic town of Mentone.  So while the valley half is where I learned to be social and outgoing, at school and at church, it was the outdoorsy mountain half that catered to my introspective and artistic side.  Simply put, Fort Payne is the perfect environment to yield well-rounded and level-headed people.

It takes a village.  Mine was Fort Payne.

All of the scenic route snapshots  used in this post were taken during Boom Days 2010, courtesy of Nick Shell.


Country Music vs. Rap Music

There are two kinds of people in the world- those who are more prone to listen to Country, and those who are more prone to listen to Rap.  Either way, I do think that those who equally like them both are kinda weird.

My hometown is Fort Payne, Alabama.  When I was born, the town wasn’t even on the map yet.  But Fort Payne had a secret weapon that would shortly change that for us- a country music band that by 1983 would be a force to be reckoned with: Alabama.  The lead singer’s son was in my grade (192 graduating seniors for the entire city) and Randy Owen and the other band members would often drop off their kids at school themselves.  And even today, my parents’ house is only a few miles away from a few of the band member’s houses.

Needless to say, I grew up listening to Country music.  Not only Country music though- it was just something that got thrown in the mix with everything else.  Sort of like the way country music is perceived in Australia and other foreign countries that have a large country music fan base.  It’s not so much a mindset that Country music is its own entity- instead, it’s just American music that happens to be recorded in Nashville and Southern-flavored.

And that’s what Country music is to me.  Just like any other genre of music- some of it’s really good, some of it’s okay, and some of it is pretty horrible.  Some artists are classier, like George Strait and Lady Antebellum; while there are also the self-proclaimed rednecks like Hank Williams, Jr. and Toby Keith.  And just for the record, I like certain Country artists from each level of the spectrum.  I’m not too sophisticated for “Let’s Talk about Me”, assuming the song is meant to be funny.

Something I have observed is that when you ask a person what kind of music they like, you’ll generally get an answer like this: “Oh, I like pretty much all of it- classic rock, oldies, Motown, hard rock, alternative.  I even like a little (Country or Rap), but definitely not (Country or Rap).”

The people who like a little Country music tend to be the ones that will not listen to Rap; the ones that tend to like a little Rap music typically won’t listen to Country.  In other words, both Country and Rap music are polar opposites of each other, but the thing they both have in common is that they are both on the edges of mainstream.  Of course, there are people out there who pretty much only listen to Country, or only listen to Rap, but I’m talking about everyone else- people like me.

Of the two examples I mentioned, I personally am the kind of person that will say, “I even like a little Country, but definitely not Rap.”  It’s not that I don’t think Rap sounds good or that rappers don’t have real talent because they typically don’t play instruments.  It doesn’t even bother me that Rap songs often use the choruses of hits from the ‘80’s, instead of coming up with their own.

For me personally, the lyrical content of Rap music is largely irrelevant to my life.  It comes across angry, violent, degrading to women, and obsessed with material possessions (I’m overaware I’m not the first person to say that).  But for all the millions of Rap fans in the world, there are obviously themes that ring true and connect to their listeners.  Rap music is relevant to millions; I’ve just not one of them.

While I didn’t grow up on a farm and wear Wranglers, there is much I can relate to in Country music, like its common themes of love, family, God, and simple living.  And as content as I am to listen to John Mayer and Guster and Phil Collins on a 4 hour road trip, it’s always a given that I have to slip in a Brad Paisley album into the mix.  Country music provides a lyrical grounding for me in the midst of rock songs which I love, but are better left vague in their meaning (like pretty much anything by Stone Temple Pilots or Smashing Pumpkins).

So there’s my biased opinion.  Which is it for you, though?  Which musical extreme do you identify with most- Country or Rap?  (You can either answer quietly to yourself or in the form of a passionate and/or angry comment below.) I think it’s a pretty interesting and revealing question to ask someone.  Like simply asking a person “Batman or Superman?

The Speed of Life: Trapped in a Time Machine

We are time traveling every moment of our lives.

Greek-American comedian Demetri Martin explains in his Comedy Central special “Person”, that he invented a time machine.  The problem is, it travels at the normal rate that time passes, so basically it’s just a cardboard box with “time machine” written on it with a permanent marker.

So much of childhood is waiting for it to be time for something: trapped waiting for your parents to get off of work to pick you up from daycare or waiting for school to be over so you can go home or waiting to be old enough to do something your current age prevents you from doing.

And obviously, waiting is always a part of life.  Adulthood is no exception- waiting to graduate college, waiting to find the right person to marry, waiting for a good job, waiting for a promotion, waiting for enough money to get out of debt, waiting to pay off the house, waiting to retire.

And all this talk of all this waiting makes me think of one of my favorite songs from the famous Country band from my hometown, “I’m in a Hurry” by Alabama: “I’m in a hurry to get things done, though I try and try until life’s no fun.  All I really gotta do is live and die but I’m in a hurry and don’t know why.”  Ultimately, when we by default view each stage of life as just another one to be waited out, we miss quality moments and surprisingly meaningful stuff in between all the waiting: Like being trapped in a time machine that travels at the normal rate of time passing.

For a similar post by the same author, read Taking the Time to Stop and Smell the Play-Doh.

Why Everybody Loves Taylor Swift (Plus, Does Taylor Swift Have a Heart Tattoo on Her Foot?)

This is the year of Taylor Swift.  America loves her.  Not just 14 year-old girls twittering about New Moon.  What is so universally likeable about this 5’11” Pennsylvania native?  She’s truly different.  She’s herself.  And she’s kinda dorky.

She’s normal.  Down to Earth.  And most importantly, genuinely humble.  And for a mega-celebrity, that makes her stick out.  In a very good way.

I have so much respect for Taylor Swift.  Not because of her clever songs which she writes herself (which is extremely rare in Country music) or her superstar status.  But instead, her extreme maturity for her young age.  And her sincerity.

 

And while much of old school Nashville sourly balks at her success, there is a reason she has made it this far at age 19.  She has the ability to connect with other people.  No matter how well a song is written or performed, it’s the feeling that a listener can relate to the artist and/or the song that causes popularity.

Her character was epitomized during that pivotal Kanye West moment.  She didn’t defend herself.  She didn’t get angry.  She didn’t cry.  She didn’t run off stage.  She just stood there.

And while she has allowed the media around her to poke fun at Kanye’s actions in her presence (SNL and the CMA Awards, in particular) she hasn’t bitterly belittled Kanye West via television or Internet.

 

That’s not what we are used to seeing.  That’s different.  That’s unique.  That’s class.  She set her self apart from everything artificial we could assume about someone in the entertainment industry.

Last night I tuned in to watch The Office but instead of that being on, NBC had a special about the most intriguing people of 2009.  They saved Taylor Swift to the very end.  In her interview she explained that she has always been herself and how important that is to her.

She’s right.  That’s a lot of why so many people are drawn to her.  (She sold on Madison Square Gardens in literally one minute.)  She’s real.

Taylor Swift doesn’t have to sell her music by dancing in skimpy shorts while pretending an ice cream stand is a dance pole at a strip club.  Or kiss Madonna at an awards show.  Or try to be edgy in any way.  She doesn’t have to try to be anything.  She just is.  Herself.

She’s just Taylor Swift.  And despite her outward appearance and her talent, she has a dorky side that shows through.  That vulnerability and humbleness intrigues people.

Authenticity is hard to come by.

Bonus: Does Taylor Swift have a heart tattoo on her foot?

 

The answer is no.  It’s not real.  She explains in this interview that is was drawn on to entertain the idea of getting a real one.