Le tap dance; la clog.
Unlike the French and Spanish languages, English doesn’t have masculine and feminine nouns. Yet still, there are subtle gender clues and accents if we look closely enough for them. Like the way that Coldplay is masculine, while The Fray is feminine (because they got famous by having their songs featured on Grey’s Anatomy). And the way a Dodge Dakota is masculine; while a Nissan X-Terra is feminine (this was referenced in an episode of The Office).
During dinner a few weeks ago I happened to catch 20 minutes of So You Think You Can Dance. It was a results episode so they were mainly filling the air time with professional tap dancers, all of which were male. Mainly dancing solo, but there were a few duos. Interestingly, after each of them danced, they were briefly interviewed. I couldn’t help but notice that none of these male tap dancers were the least bit effeminate or sexually questionable in any way- they were ordinary, straight dudes.
I’m okay with being politically incorrect in stating this fact that we already know and recognize: It’s common for professional male dancers (especially on reality TV shows) to not be straight. Which is ironic because as we watch these couples dance, the male is being represented by a man who in reality may not be sexually attracted to women. Typically, straight men are not the ones representing the guy in the relationship in these dances.
Why are straight men typically inclined not to be good dancers? Because group dancing and dancing in pairs, as a whole, are more of feminine acts. Dancing as we know it today is free-spirited and emotionally expressive. It often shows the ups and downs of relationships and/or life in general. That doesn’t work for most men, because a man’s mind is wired to be formulaic and often emotionally repressive. Most men have to “learn to dance”. Tell me what to do so I can get this right. It’s more about straight memorization for a straight guy to learn to dance. He’s learning to dance to make his girlfriend or wife happy- not to express himself in a new exciting way.
When I think of famous tap dancers throughout American history, I think of classy Italian, Jewish, and African-American men wearing black suits like Fred Astaire, Frank Sinatra, Sammy Davis, Jr., Gregory Hines, and of course, the legendary Tony Danza. Although, this isn’t to say that all or even most tap-dancing men are straight. But what I do recognize is 1) that because tap dancing is simply based on rhythm and formula (which are masculine elements- famous female drummers are a rare thing), and 2) that tap dancing only really evokes one basic emotional feel, which is always positive and upbeat. I never remember seeing a tap dancing routine which went from happy, to sad, to angry, back to happy, to a feeling of loss, to happy, to acceptance of grief, to contentment, the way a typical 2 minute dance song on Dancing with the Stars or So You Think You Can Dance typically does.
Clogging, on the other hand, though similar to tap-dancing, is not masculine. It often involves groups, costumes, and festive music- therefore making it a feminine art form, since there is room for “artistic expression”. But square dancing is masculine because, like in tap-dancing, the mood is always the same (upbeat) and there is no guesswork on how to do it, since the instructions are typically spoken to music.
So how could a man and a woman dance to music and it realistically represent them and their relationship? I’m picturing a guy tap dancing in his own little world while the woman ballet dances around him, and the guy is seemingly oblivious to what is going on.