The Euphoric Therapy of iTunes: Listening to Music is Like Traveling Back in Time

The only thing I really buy for myself that is not a basic need, is music.  My CD collection now contains well over 700 albums, not including the several hundreds of songs I’ve “traded” with friends via laptop swap or the “borrowing and burning” of each other’s CD collections.   The one material thing that I actually spend money on (though I often buy at a much discounted price at Unclaimed Baggage) is music.

My stereo speakers are never silent as long as I’m the only one in the car.  There are times when I actually get tired of my own massive music library, but even then, I turn the radio to a classic rock station (“I want to know what love is, I need you to show me…”) or an alternative station where I get introduced to current bands like The Avett Brothers (“In January, we’re getting married…”).

Music is therapy.  It’s invisible.  But music has a way of ministering to the soul and to the emotions.  It enhances the mood and the moment.  Music makes sad times sadder and good times greater.  And when I don’t know how I feel, I listen to the abstract vagueness of ‘90’s alternative bands like Stone Temple Pilots, Live, and Foo Fighters.

Music is euphoric. It’s not tangible.  But music has a way of lifting a person’s spirits or helping them to connect and relate to the pain they are feeling at the moment.

Music is a drug. Teenagers use it to “express themselves” (or the idea of who they think they want to be) and to get in touch with their out of control emotions.  Adults use it to relax, to escape, to take a trip to an easier time in their lives.  And yes, music is an addictive drug.

I can not hear Journey’s “Don’t Stop Believing” and not be affected.  Or Phil Collins’ “In the Air Tonight”.  Or my newest obsession, the Scottish one-hit wonder from 1983, “In a Big Country” by Big Country, with its piercing lead guitar riffs reminiscent of a bagpipe:  “In a big country dreams stay with you like a lover’s voice…”

Music is engrained into our pop culture.  It freezes a year, a moment, a memory forever.  Listening to a song can be like time travel.  It stays with us.

And it’s amazing to me how music can make nonsense words and phrases acceptable by the mainstream.  Because seriously, everybody should wang chang tonight.

I can’t imagine a world where the words “I wish I was a little bit taller, I wish I was a baller” meant nothing to me.

Karaoke is Funny: I’m Turning Japanese, I Really Think So

For the last 10 years, I believed the urban legend that “karaoke” is Japanese for “tone deaf”. I wanted that to be true. Because that would be funny. Instead the word just means “empty orchestra”. Thanks Wikipedia, for bursting my bubble.

I am hardly ever exposed to social events that include karaoke. But in the back of my mind, I am constantly juggling around songs that would be good ones in case I suddenly had to participate in a karaoke contest. There is an art to choosing a good karaoke song.

 

The point of singing karaoke is not to show off a person’s singing talent, but instead their ability to entertain. There should be a rule that no serious songs can be sung while participating in karaoke. No Celine Dion. Nothing by Whitney Houston. And definitely not “Bridge over Troubled Water” by Simon & Garfunkel. Too sappy and too difficult to pull off for an amateur.

It’s okay for a person to sing horribly if they know they are not an awesome vocalist. But when a person thinks they’re pretty decent and actually tries to sing well, but then falls flat on several parts of a Josh Groban song, or hits the notes too sharply and loudly, “clipping the mic”, that kills the mood.

That can make things awkward, causing the audience to hope that the next performer will perform an obviously stupid song like “I Wish” by one-hit wonder Skee-Lo (“I wish I was a little bit taller, I wish I was a baller…) or “Peaches” by The Presidents of the United States of America (“Millions of peaches, peaches for me…”).

 

An ideal karaoke song also should be one in which the singer can incorporate stupid dance moves during the lead guitar solo and fade-out. I am set on “Dancing in the Dark” by Bruce Springsteen. Or “That’s All” by Genesis. Or maybe best of all, “The Heart of Rock & Roll” by Huey Lewis and the News. http://www.youtube.com/watch?v=4ZFqA8JJQj0

Surely I couldn’t go wrong with those songs. Because I couldn’t go right. And that’s what truly defines karaoke.