Nostalgia

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Drinking Kool-Aid and Watching the Smurfs

Childhood isn’t a place too long gone for me; it’s what the attic of my head is wallpapered in.

For many of us, childhood was one of the brightest, most promising times.  Therefore, it remains today as a safe, heartwarming place in our minds.  A place where we can return to, like remembering a good dream, whenever we want.  And thanks to the people who are still alive who share those memories with us, we have access this seemingly imaginary fantasy world that we were all once a part of.  In a land called The Eighties.  Or Nineties.  Or Sixties.  (There are several to choose from.)

My literary teacher Michael Chabon explains it (he doesn’t know who I am, in reality) in a way that would make me jealous that he thought of it first, except for the fact if it weren’t for studying his style, I wouldn’t be the same writer I am today.  He refers to mutual collected memories in his book Manhood for Amateurs as “an entire network of tunnels, secret passageways, into the past”.

We carry the exclusive memories of each other in the hard drives of our own minds, sporadically reminiscing to make sure of the validity of the events, and to glean from the enhanced emotions attached to them.

The way my mind works, I can’t just simply open a file in my head entitled “Childhood: 1981-1993”.  Instead, these scattered gems are embedded along with all other memories and knowledge.  So when I click on one file, there’s sure to be a random childhood memory hanging on to it.

And sometimes I just have flashes of them.  Like the Spring and Summer of 1989 (2nd grade) when I played baseball.  The pings of the aluminum bats, the crickets singing their alien songs in the moist, freshly cut baseball fields.  The sun going down as each game began.

And when I go to that place, I remember how I had the biggest crush on Meg Guice, who never had a clue.  Yes, those were the days were drinking Kool-Aid; my favorite flavor being the short-lived “Sharkleberry Fin”, only second to Hi-C’s “Ecto Cooler”.  When Saved by the Bell hadn’t quite arrived, so The Smurfs pretty much taught me what I needed to know about society.

Memories of being in Cub Scouts, riding the bus from school every Tuesday to the First Methodist Church, where my parents (the scout leaders) met us there with the aforementioned Kool-Aid and some adventurous craft assignment, like a bug collection (in which Matt Hall brought in a dead bat) or brainstorming about the upcoming Pinewood Derby race (which I won 1st place overall in 1991, thanks to my dad’s craftsmanship).

I could go on, but I have a feeling by this point, some of your own childhood memories have been stirred up.  Don’t let me interrupt that for you.  Have fun.

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Hall and Oates are Officially Cool Again, Says Me

They make my dreams come true.

Yesterday my wife and I were hanging out at our new favorite brunch spot in Nashville, The Perch.  As we were waiting on our crepes, we both had our laptops up and running (she was working on stuff for her Master’s program, and I was catching up on burning about a dozen CD’s that I’ve bought since last December).  An energetic couple sat down at the table across from us; as she walked past, the wife snuck a peak at the pile of CD’s I had laying on the table.

“Just checking out your musical style”, she said with a curious smile.

I lifted up Landon Pigg (a local Nashville artist recently featured on an ATT commercial) and Pete Yorn & Scarlett Johansson to give her a good idea of exactly was is music to me.  She approved.

But then, I pulled out the one she couldn’t see because it was currently being burned.  And that definitely got her attention as well as her husband’s: The Essential Hall and Oates.

She eagerly told me about Daryl Hall’s current website, in which he invites special guest musicians to play concerts in his house.  Within a minute, she had emailed me the link.  http://www.livefromdarylshouse.com/index.php?page=ep30

As if it wasn’t obvious, being that I’ve referenced Hall and Oates in the last couple things I’ve written, I’m a little bit obsessed with this feel-good duo.  Maybe it started when they performed on the recent American Idol finale and I realized they not only are still performing but also haven’t changed who they are one bit.  Because there was John Oates bouncing and bopping around on his electric guitar and Daryl Hall running the show in all confidence.

Some musical acts could have only been popular during the time they were popular.  Hall and Oates is the epitome of them.  The late 70’s and early 80’s were the only time that a male duo singing group looking the way they did and performing the way they did could not only get away with it, but have six Number Ones and have 34 singles to chart.

The duo of course is comprised of  Daryl Hall (of Scottish heritage) and John Oates (half Italian, a quarter Spanish, and a quarter British English).

Hall and Oates is also the kind of musical act that sings so many more songs than I ever realized.  I’d been hearing their songs all along, assuming it was a random one hit wonder.

If I was asked two weeks ago (before I bought their 3 disc greatest hits set) which songs Hall and Oates sang, I would say “You Make My Dreams”, “Maneater”, and “Out of Touch”.  Just the tip of the Oatesberg:

Here’s a brief looks at their credentials:  Their six Number Ones were “Rich Girl”, “Kiss on My List”, “I Can’t Go for That (No Can Do)”, “Maneater”, and “Out of Touch”.  A few of their 34 singles that charted include “You Make My Dreams”, “You’ve Lost That Loving Feelin’”, “One on One”, “Say It Isn’t So”, “Adult Education”, “Method of Modern Love”, and “Sara Smile”.

But after listening nonstop to the 40 plus songs on the 3 disc set I bought exactly a week ago, my favorite song of theirs, to my surprise, is not “You Make My Dreams” (which hilariously leads into the guitar solo with the lyrics “well listen to this”).  It’s instead one that I truly never heard prior to seven days ago.  A song that peaked at #6 in June of 1983.  The song is “Family Man”.

Complete with a grungy guitar riff reminiscent of Weezer’s 2001 hit “Hash Pipe”, perfect back-up vocal spurts, and the off-beat subject matter (for a pop song) of a faithful husband and father basically saying “skat!” to a temptress.  And best of all, it was a hit in 1983.

As I recently explained to a friend who was much less familiar with Hall and Oates as I made him listen to them in my car, “They’re the kind of music you should listen to if you’re considering suicide.  You’ll change your mind by the end of the first song.”

Now Simon and Garfunkel, well, that’s a different story.

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Do Aliens Really Exist?

Or more importantly, could they even get here?  And could they survive our living conditions?

Being a kid in northern Alabama in the late 1980’s and early 90’s, I was convinced that at any moment aliens could be on the verge of flying over me as I rode my bike, especially as I was heading back to the house as the sun was beginning to set on a crisp, eerie October evening.

There was a hysteria/fascination with UFO sightings where I grew up, as more and more families were able to afford camcorders. In the back of many peoples’ minds was the hope of filming one of these banana-shaped alien spacecrafts made famous on the local news, courtesy of some good ole boys in a town called Fyffe, who kept submitting their shaky footage of either a light pole or a plane at night.

Evidently I seem like the kind of guy that would be knowledgeable on the subject- in the last year especially I have been randomly asked by so many people the dreamy question: “Do you think aliens exist?” Good question. I have a good answer.

I truly want to believe in aliens, but there are two major issues with humans ever making contact with them. The first is how they would get here. Planet Earth is light years away from any other solar system. (A light year is the distance light travels in a year. For an idea of how far that is, light can travel around the Earth 7 times in one second.) If aliens were able to create a device that enabled them to travel to all the way to Earth, it would have to work similar to a teleportation device. Because that’s the only way to feasibly move a living creature that far in so little time.

And even if aliens invented a teleportation device to get to other universes, the chances of them finding our planet are literally astronomical. The universe has no end. So if there really is life outside of our planet (other than spiritual) then we surely can’t assume it’s just us and them. Surely there would be thousands, if not millions, of other planets with intelligent life forms. Chances are, they would discover countless other universes before they ever found us.

The other problem is that they most likely couldn’t breathe our air or survive in our climate. For example, human life can not survive on any of the other planets in our solar system. We would either freeze or burn within the first day of being there. Plus there wouldn’t be enough, if any, oxygen to breathe. The aliens would have to be coming from a planet that was almost identical to Earth in terms of its life sustaining qualities.

Do aliens exist? If they did, they couldn’t get here. And if they could, why would they choose Earth out of all the universes? And if they did choose Earth, they would die within the first day from our natural environment. I have always held this hidden hope that ET really would come back to Earth. I’ve been waiting since 1982.

Sometimes life is disappointing. This is one of those times. The chances of humans ever meeting aliens on Earth are… (unavoidable pun) …out of this world.

“Hey Mr. Spaceman, won’t you please take me along for a ride?” -The Byrds (“Mr. Spaceman”)

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Super Mario Bros. from a Logical Perspective, Finally

There are moments in the pop culture highlights of our lives where we are so consumed by awesomeness and groundbreaking concepts that we never even think, “Man, that’s pretty weird now that I think about it…”

It’s been a long time coming, but after 25 years since its introduction to America, (1983 in Japan, 1985 in the US) I need to set aside some time to question the life-changing vice called Super Mario Bros. The first issue that I’ve been thinking about is Mario’s ability to jump.

Have you have really thought about how high he can jump? I would say he probably jumps the distance of about six of himself high. Mario looks like he’s about 5’ 8 (I would say Luigi is more like 6’ 1). Since I’m bad at math I’ll just do some rounding.

Mario can jump about 36 feet high. He can be standing still and just jump 3 stories high. And he never hurts his ankles or knees.

That is not normal!

And in case you haven’t noticed, every game is this way in the world of video games (unless the character doesn’t jump at all like in the original Legend of Zelda).

What does Mario do with all those coins? They are about the same size as him. Imagine seeing a coin the same size as you and putting it in your pocket. Then collecting 50 more of them within the next 20 seconds. That’s gottta be heavy!

And what’s so bad about touching an enemy? If you touch a wild creature in the woods, let’s say a mountain lion for example, do you instantly die? No, the mountain lion would have to at least bite you or something. But in Mario’s world, you die if you touch any other living creature. Unless it’s a mushroom or fire flower. And in that case, what is he doing with them? Eating them? Again, how do you eat a five foot tall mushroom instantly?

And what’s up with all the holes in the road? What’s at the bottom of those holes? I mean, I would think that at least some of the time when Mario falls down a hole, he could grab on to a branch or something and not lose his life. But there really shouldn’t be that many holes in the first place.

Lastly, why can Mario hit his head on all those bricks and never get a concussion?  Or if he’s using his first to break the bricks, why is Mario’s fist not a bloody pulp pretty much immediately?

Nevermind the fact the bricks are floating in the air. I’m willing to get past that. Mario isn’t even wearing a helmet when he busts the bricks with his head or gloves on his hands if he’s punching them!

We have overlooked so much ridiculousness because this game forever changed our lives for the better and for the weirder.  Without this American staple of growing up in the 1980’s, I imagine a world where people in their late 20’s and early 30’s would be more boring and less weird.

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Stranger than Deja Vu

Sometimes DJ’s read our minds…

Here’s a unexplainable mystery that has happened to everyone at least once in their lives. I get a random song in my head I haven’t heard or thought of in years, then it comes on the radio later that afternoon. What would cause that DJ to want to play the same random song and what would cause me to happen to listen to that same radio station at the exact same time he played it?

In August of 2007 I was in Dallas for the Great American Trucking Show (made famous from my photo albums on facebook). As I sat down in the hotel lobby to wait for the charter bus to take me to the convention center, The Beatles’ song “Hey Jude” was playing. In particular, it was the end of the song, “Na na na na… hey Jude…”

Ten minutes later I stepped up into the bus and as I found a vibrantly decorated New Mexico–style embroidered seat, the elevator music version of “Hey Jude” was playing. And it just happened to be the end of the song: “Na na na na… hey Jude…”

During my lunch break today I was in a store picking out a card when I heard the worst song ever recorded in history. I’d never heard it before. But it was awful. Sounded like they made up the melody on the spot. Or lack of melody, I should say: “I… miss… you”. Sounded like Amy Grant in the late ‘80’s. As I paid the cashier teen boy, also named Nick, I said, “So the radio station here. Sucks, don’t it?” He politely agreed.

An hour later I’m back at work. I call our legal guy to ask him a question about a title for a vehicle. I’m put on hold. There could only be one song in the universe that plays in elevator music form. Yes. It was “I Miss You”.

This “hear a song on the radio, then the next song I hear is that song, but the elevator music form of it” event has happened to me twice in the last two years. With a little help from some co-workers and a consultation with Wikipedia, I found out more about the worst song ever recorded in history. “I Miss You” was a 1985 hit by a group called Klymaxx.  It’s worse than any song a Hollywood actor recorded during the 5 months they tried to also have a career in music. It’s bad, man. Bad.

Not important in the grand scheme of things, but if nothing else, this “deja vu song” concept sometimes happens to us.  During what would have been another ordinary day.

Do you, the random or regular reader, have any weird stories like that?  I’m currently collecting them in my mind.  It’s fascinating.  You can leave a comment about it.  I will care.  I will read it.  I will be fascinated.  I want to know this truly doesn’t just happen to me.